The February issue of BelleMode, an Israeli fashion magazine, is speaking up against anti-women events in Israeli public life in its own provocative way. Their making-of video below and here’s some of the full set. But here’s the question: protest notwithstanding, is this also sexist objectification?
Oh, and this is the first time I’ve ever checked the “fashion” category box in my life. Shehekhianu… (Hat tip Alix.)
Filed under
I am very happy to announce that my book Justice in the City: An Argument from the Sources of Rabbinic Judaism is out and available at Academic Studies Press and Amazon.com.
You can now download and read the introduction of the book here (just click on the cover image).
I hope that this will whet your appetite or stimulate your curiosity or at least disturb in a productive way, and hopefully you will buy the book and incorporate it in your discussions about how to make our part of the world a more just place.
Filed under
I could probably just about build a raft and sail around the world with all the books advocating for Jewish Social Justice that have come out in the last couple of years. Several of them are very good. I particularly like Rabbi Jill Jacobs’ first book, which is both thorough and excellent.
But I want to recommend a book that’s a little bit different.
Rabbi Shmuly Yankelowitz, the founder of the Orthodox social justice movement Uri L’Tzedek, has just come out with a book very simply titled Jewish Ethics and Social Justice (Derusha Publishing). Unlike most of the the other books in this burgeoning genre, Rabbi Y’s book is a collection of essays previously published in newspapers journals and blogs. This is both a strength and a weakness, which I will touch on later. More »
Filed under
It’s like this
+ this
Learn more about how you can dig in here.
!!זאָל זיין מיט מזל
Filed under
Filed under
Parodies of The Downfall, a German dramatization of the end of Adolf Hitler’s reign, have been used to protest everything from football loses to Rebecca Black. Here in the Jewish community, the roughly 5-minute footage has been used to protest parking in Tel Aviv, the worrying spread of kiddush clubs, and even housing prices in Israel.
Of special importance to all of us in online content creation, Hitler now screams at the inanity of the SOPA and PIPA bills presently under protest by Wikipedia, Google, Reddit and other sites. Learn more and contact your Congresspersons here.
Filed under
As the new year begins, here at Jewschool we put together an entirely unscientific, completely biased view of some of the best and worst of 2011.
2011 was simultaneously one of the most inspiring and dispiriting years I can think of. From the shooting of Rep. Gabrielle Giffords way back at the beginning of the year, to the passing of important greats like Debbie Friedman, to Occupy Judaism’s prominent place in the Occupy Everything movement. Israel has been a roller coaster, between the hopefulness of the J-14 protests to their quiet whimpering away, new settler attacks, undemocratic legislation, and fights over gender segregation. However, it was a mostly great year for the arts, despite JDub Records’ closing. Here’s to a new year with more distillants, and less despirits.
L’chaim!
Filed under
Just over a week ago, the world Yiddish community lost the greatest Yiddish songstress of our time, Adrienne Khane Cooper, who died on December 25, 2011 at the age of 65. Adrienne was a person of enormous passion and talent who, as both a performer and teacher, molded a whole generation of young Yiddishists and klezmorim.
In her short 65 years on this earth, Adrienne zigzagged the map, both domestically (living in Oakland, Chicago, and New York), and internationally, touring and studying far and wide, bringing with her a love of Yiddish that was contagious as it was deep. A scholar, a writer, a performer, and an innovator, Adrienne was a trailblazer in demonstrating to the world that the adventure of Yiddish has only begun. Adrienne’s profound love and respect for language, combined with her progressive politics made her the ideal figure for spearheading the contemporary Yiddish renaissance.
After working at the YIVO Language, Literature, and Culture summer program in New York City, Adrienne envisioned an intensified Yiddish cultural experience, and so, along with Henry Sapoznik, she created KlezKamp, the renowned annual Klezmer and Yiddish culture gathering in the Catskills, now nearing its 30th year. These two programs, both of which Adrienne had a significant hand in shaping, are responsible for the outpouring of new Yiddish cultural expression—fueled largely by the enthusiasm of their young participants—that has emerged in recent years.
Among the countless Yiddish scholars and artists whom Adrienne mentored 
are such prominent figures in the Yiddish world as Yiddish scholar Jeffrey Shandler, acclaimed Yiddish singer Lorin Sklamberg, and outstanding Klezmer violinist Alicia Svigals. The assembled crowd at the New York memorial service for Ms. Cooper (which packed Ansche Chesed’s main sanctuary on Sunday, January 1st) was a veritable ‘who’s who’ in the Yiddish world, and each person in attendance seemed to have at least one story of how Adrienne had changed her/his life. Each of the twelve speakers who eulogised Adrienne at this memorial service shared thoughts regarding the varied and far-reaching aspects of Adrienne’s life and legacy. Upon exiting Ansche Chesed after the memorial service, I overheard an older man ask his friend, “Did you work with Adrienne?” his friend replied, “Of course. Who didn’t??”
As one who delights in all things Yiddish and also sees in it a larger social mission, it warmed my heart when I heard dramatist and political activist Jenny Romaine read an excerpt from the Rabbi Marshall T. Meyer Risk Taker award, which was presented to Adrienne by Jews for Racial and Economic Justice (JFREJ) in 2010: “For all of this, and for never working from a place of chosen-ness or nostalgia but from a place of justice, empathy, and complex Yiddish polyphony, JFREJ is deeply honored to present the 2010 Rabbi Marshall T. Meyer Risk Taker Award to Adrienne Cooper. ” Indeed, for Adrienne, Yiddish language and culture was not a quaint novelty trapped in a glass box in a museum, but rather a living, breathing, and evolving hands-on process which could help create a better world.
Perhaps my favourite memory of Adrienne was a Yiddish song workshop she facilitated at the 2008 YIVO summer program, where both myself and Adrienne’s daughter, Sarah Gordon, who is a talented and innovative Yiddish songstress in her own right, were students. At the aforementioned workshop, I witnessed the special beauty of the bond between Adrienne and Sarah, a bond, spanning the generations, of shared dedication and love, both for Yiddish language and culture and for each other. This special bond was best summarised by the final eulogy delivered at the memorial service last Sunday by Sarah, who stated simply, but most eloquently, “She was my mother.” All too often, when we speak of great figures, we forget the unique and personal relationships that are truly the defining aspects of life—the relationships that make us who we are. After hearing eleven people speak beautifully of Adrienne as a legend, Sarah reminded us that she was also a “Yidishe Mame.”
Because of her dedication to helping create a better world, Adrienne served on the Board of Directors of JFREJ, and the family requests that donations in her memory be made to them: www.jfrej.org/. Koved ir ondenk.
Filed under
The latest Ryan Gosling meme has gone Jewy, by friend of the blog Amy Schiller.
Filed under
Hilarious and amazing. This might be one of the greatest things I’ve read in quite some time. Apparently, there are just under 3000 Jews in the Czech Republic; however, according to the most recent census data, those in the Czech Republic who voluntarily filled in their religion as “Jedi” numbered over 15,000.
I hate to have to ask this, but would a Jewish Jedi be a Jew-di? Terrible, I know — forgive me.
Filed under
New York — Matisyahu, a Jewish kid who “found” Torah Judaism through reggae and lost his ability to trim his facial hair, reported today via Twitter that he shaved.
Jewish News services the world over sent news alerts, alerting their followers that the “musician” who has made a fortune “utilizing” another culture’s music for the “benefit” of the Jewish people shaved.
It would appear that by cleaning himself of his facial hair he has lost his magical powers to assume the musical styling of the Islands as well as his ability to be a role model for other lost Jews.
This modern day Samson story doesn’t end well for this mediocre musician. While reaction is mixed, his blatant abuse of his religion and the plagiarizing of another for his career is most likely over. Few are upset about this, yet there will be many who use this as further proof that young American Jews do not have the same connection to their traditions as previous generations.
[Editor's Note: We cut the rest of this article because it isn't news. For the sake of the holiness code move on. This guy made bad music with lame ass messaging based in a lack-luster Jewish indoctrination education.]
Filed under
Americans for Peace Now has just announced that it is beginning a new feature: a weekly Torah commentary on Middle-East peace topics. This week is already up, and has a nice little drash on wrestling with angels and moving out of injury to blessing by new staff member (and Jewschool contributor) Rabbi Alana Suskin.
Filed under
In today’s popular American culture, expecting celebrities often recede from the limelight while pregnant. In her new EP, Beautiful Land, singer/songwriter Chana Rothman actively embraces the opportunity to channel her creative energy into an unforgettable musical journey, specifically during her pregnancy. The result is a celebration of life, brimming with heartfelt empathy, mesmerising grooves, and earthy splendor.
Photo by Elise Warshavsky
In just six tracks, Rothman creates a universe, transporting the listener to a different realm, one in which emotional honesty and whimsical funkiness reign supreme. Rothman’s music resides somewhere between the intersection of pop, folk, and ethnic, but she transcends all of them. As Rothman’s music demonstrates, we live in a thoroughly cosmopolitan, interconnected time, when such designations are essentially irrelevant labels.
The opening track, Shine, offers a life-affirming message to young people, with its light, breezy groove. The title track, Beautiful Land, showcases Rothman’s impressive stylistic and thematic versatility. Inspired by her travels in Jamaica, Rothman wrote this loving, polyrhythmic reggae-infused piece as a tribute to its people. Accented with hints of a West African groove, Beautiful Land conjures up distant times and lands, while insisting on a temporal and spatial immediacy with its hypnotic rhythms and gentle melody.
Of all the pieces on this EP, Inadequate packs in the most nerve and verve, with its brutally honest lyrics, reflecting on body image. Other reviewers likened Rothman’s lyrically-driven Inadequate to Ani DiFranco—and this was my initial association. One could also compare this track to India Arie’s I’m Not My Hair, but Rothman’s upbeat and bluesy piece has much more flavor, political punch, and lyrical colour.
In Come on Home, Rothman shifts gears again, this time offering a poignantly understated elegiac ballad. A modern-day Psalm of sorts, this piece never names the subject of its mourning, but rather evokes a flood of feeling and taps the core of the experience of loss. The following track again radically departs into an entirely different feeling and space. Listening to Baby Do That Dance for Me, one almost expects Django Reinhardt to surface magically and rip into one of his legendary hot jazz guitar solos. This joyful and jazzily ambient piece certainly makes you want to rise to your feet and dance along.
Remember Your Name, the other ballad on this EP, is the final track and mourns the loss of Michael Jackson, while also reflecting on his legacy and memory. Enlisting Soulfarm guitarist C Lanzbom’s help on the slide guitar, this track serves as an apt coda to an album which amply attests to the restorative power of music. Beautiful Land, which is available in stores starting today (and will be available digitally beginning Thursday, December 8), would make a gloriously soulful Hanukkah gift for the music lovers on your list.
'Beautiful Land' cover art: Graphic design by Michelle Nichols; Artwork by Michele Kishita
Filed under
Thanksgiving celebrators around the country, here ye. Amidst all your holiday planning and travel, and your decisions on how to spend “Black Friday,” please consider how you might conclude this festive weekend. On Saturday evening, Rosh Chodesh will be upon us. On Sunday morning it is traditional to give praise to the Most High. One way to do this is by Occupying Rosh Chodesh, as some of us are doing this Sunday at Zuccotti Park in Lower Manhattan. All are invited. For more information see below:
What is Rosh Chodesh? This Sunday November 27th we are entering into the darkest month of the year, Kislev. However, during the month of Kislev, we celebrate Hanukkah, the festival of light.
Why be Occupied with it? It’s easy to celebrate when life is pleasant, when victory has been achieved and when the weather is warm. Rosh Chodesh is a monthly celebration fueled by a historical memory of enslavement. No matter where we are in the struggle for freedom and justice, Jewish tradition commands us to find ways to join forces and sing together – to experience the feeling of what redemption will truly taste like.
How will we celebrate it? On the Thanksgiving Sunday, two days after Black Friday, we will welcome the Hebrew month of Kislev with song and praise. In contrast to the melodies used to urge us toward the season of ‘holiday shopping’ we will sing the traditional Hallel / songs of praise sung on Rosh Chodesh. As part of the service, there will also be a chance for some learning and reflection on how Rosh Chodesh connects to the wider Occupy movement. The whole service should last no longer than one hour.
Who is invited? We welcome people of all backgrounds, races, gender identities and religious/faith affiliations.
Filed under
The Promise is a 4 part BBC miniseries portraying, in the words of producer David Aukin, the Israeli/Palestinian conflict “as it is seen through British eyes.” Each episode is divided between the point of view of Erin, a young woman from Leeds spending the summer in modern day Israel/Palestine, and the flashbacks of her grandfather, Len, a soldier in 1945 British Mandate Palestine. The first episode was shown Wednesday, November 16th at the JCC in Manhattan as part of the Other Israel Film Festival.
I’m sure Claire Foy, who plays Erin, gets this all the time, but she looks like a cross between of Rory Gilmore and that Kirsten Stewart person from the Twilight movies. Moving on. The episode begins with Erin’s discovery of her grandfather’s diary, kept during the British Mandate, in his apartment. Her mother tells her to throw it away, but Erin keeps it, and after informing her mother that she’s going to Israel for the summer with her friend Eliza, who’s beginning her army service, she begins reading it on the plane, starting with his account of liberating Bergen Belsen. Then we see a lot of black and white footage from the camp. Or rather, the audience did. I kept my head down and scribbled. “I wish everyone could see what I’ve seen,” writes Len.
Eliza, Erin’s friend, has dual Israeli/UK citizenship, and her parents live in Caesaria, in a crazy house with glass everything and a giant pool. They take a walk on the beach wearing white and drinking wine and the whole thing makes me think of folks who own houses in the Hamptons or Martha’s Vineyard. “It’s like paradise,” Erin tells Eliza. “It’s not what I expected.” “You thought we lived in bomb shelters,” Eliza says. Cue a montage of Eliza and Erin cavorting in the streets of what looks like Tel Aviv-shopping, sitting in cafes, Erin gawking at the sight of a soldier’s gun, and then, in a night club, where Erin passes out and has a seizure.
Meanwhile, in British Mandate Palestine (BMP), Len is told by an army commander that “These Jews see returning to be this place as the fulfillment of the promise of Gd,” but that the Arabs see things differently. The goal of the army is to get both parties to live together peacefully, “like the meat in a sandwich.” (The creepiest simile ever used to refer to the Israeli/Palestinian conflict?)
A moving scene follows of Jews jumping from an arriving ship into the water, and being greeted and pulled to shore by British soldiers. There’s a woman with a skeletal face, her wet hair clinging to her head, slogging towards land. The camera lingers on her for a minute too long, or maybe I just imagine that. We learn that there is a quota on Jews entering the country, and when Len tries to smuggle a woman through, he’s reprimanded.
Erin and Eliza, clad in her IDF uniform, drive to her army base to begin training. The front entrance is blocked by Peace Now protestors. As they drive to the other entrance, Eliza tells Erin that her brother is one of them. “I know you think it’s idyllic, but it’s total bullshit,” she says, admitting that she’s terrified of being the army. Erin proposes that if she really can’t take it, she’ll bail her out and they’ll run for the border. (Things I would love to see happen in a future episode.)
BMP: Len is in some kind of swanky club, with other soldiers and ladies and lots of alcohol, and he meets Clara, prompting me to worry that we’re going to see some sex really soon. (Spoiler: we do not.) Clara tells him that this is all propaganda, that she and many other women are being paid to entertain soldiers, and that “100,000 soldiers equals 100,000 opportunities,” and that he’ll undoubtedly write letters home to his family telling them about how well he’s being treated by the Jews of Palestine.
Len has a look of perpetual torture, which only gets worse when he’s ordered to attend a rally against the Jewish quotas, a project that Clara and her father are involved in, in civilian clothes. “Be a Jew for a day,” his commander tells him, urging him to get information on any insurgency the Jews might be planning. Clara, in the meantime, confesses to him that her mother met another man while in the concentration camp. “Not every concentration camp story has an unhappy ending,” she says.
Bon Iver. Bikini. Swimming pool. Erin floats around on a raft until she’s surprised by Eliza’s “insane” brother, Paul, who’s visiting his parents. Erin tells him about her grandfather, Paul tells her that his grandfather fought in the Irgun. Over dinner, things get a little American-Jewish community when we learn that Paul is an anti Zionist who believes Israel is a military dictatorship. Fight with parents about the occupation ensues. Eliza shows up in her IDF uniform and gun. Everyone stares. Later, Eliza tells Erin that once, Paul was very hard core about the army, before he went to Hebron.
BMP: Len attends the anti quota rally, and a man is killed whom the British believe to be an instigator. Later, some of his friends are killed in a shooting. It’s unclear who’s responsible, but in a move that I can only regard as insanely ironic, the remaining solidiers break into an Arab home in pursuit of the actual shooters. Clara’s father tells Len that he’s no longer welcome in their home, even after Len assures him that he’s on their side. “We may be stateless,” says her father, “but we are not stupid.” In the stairwell, Clara and Len embrace secretly.
That’s the end of the flashbacks. Erin and Paul travel to Ramle so she can see the graves of Len’s friends, and she freaks out when she sees the graves of two who aren’t dead in the journal yet. And then we’re in Paul’s car driving into the Territories. “I thought it was dangerous,” Erin says. “You’d rather be back by the pool?” Paul says, and she doesn’t answer. In Nablus, Paul speaks at a Combatants for Peace meeting, along with Omar, a former member of the Al Aqsa Martyrs Brigade. Erin watches, enraptured. She’s surprised to learn later that Omar is an Israeli Arab, and watches, horrified and confused, as Omar is stripped searched and detained at a checkpoint after confronting a solidier about his treatment of a Palestinian woman. “Welcome to Israel,” Paul says, as they drive away from the checkpoint after Omar has asked them to leave him there. “Isn’t it to stop the terrorists?” Erin wonders. Paul responds by showing her the separation barrier and explains that the goal of the checkpoints and the barrier is to force Palestinians off their land and into such a state of despair that they leave all together. He yells a lot. Erin looks confused and scared.
At the entrance to a cafe, a bewildered Erin gets searched by a security guard. She and Paul drink beer. She says she loves it in Israel, he says it’s because she lives in the safe world of his parents, who, he admits, are lovely people. He tells Erin that when he was little, his father took him to a border and pointed out the difference between Jewish and Arab land. “Look what they’re done with the land in 2000 years and look what we’ve done in 50,” his father said. Paul: “He was telling me that they aren’t as deserving as we are.”
On the way out of the cafe, Erin’s glance lingers on a couple coming in. Paul realizes that he’s left his wallet inside when they get to the car and tells Erin to wait. And then there’s a explosion in the cafe. End of episode one.
Are you still reading? Good. After the episode, there was a q/a in the Speakeasy cafe with Liel Leibovitz and producer David Aukin. The idea of the series began with a letter from a solidier who served in Palestine during the British Mandate, which inspired Aukin to portray the conflict through a British perspective. The series was shot on location in Israel/Palestine and the crew represented a cross section of Israeli society, which, according to Aukin, resulted in very real tensions and arguments.
In response to an audience member’s question about the source and prevalence of Britain’s anti-Israel boycotts, Aukin said, “There is no memory in the current British narrative about the Mandate. It doesn’t exist anymore. If anything, this film is anti-British. What we’re dealing with now are the seeds of what the British left behind.”
In case you’re wondering what happened at the end of episode one of The Promise, you can see the second episode this coming Monday, November 21, at the JCC in Manhattan at 7 pm. Episodes three and four will be show on Wednesdays, November 23-December 7th. For more information, visit www.jccmanhattan.org/cat-content.aspx?catID=2928&progID=24759.
Filed under
“77 Steps,” a documentary by Palestinian-Israeli filmmaker Ibtisam Mara’ana, is a selection at this year’s Other Israel Film Festival. The subject of the film is Mara’ana herself, who moves from her Arab-Muslim village to Tel Aviv. She includes a conversation between herself and a landlord who agrees to show her an apartment until he realizes she’s Arab. “Sometimes,” she tells the audience, “I had to shorten my name.”
It’s Jonathan’s grandfather’s visit from Canada to Kibbutz Ein Dor, which he left in 1948, that’s perhaps the turning point for the couple’s relationship. Jonathan’s grandfather regrets leaving the kibbutz, and feels that his grandson’s aliyah makes up for this. He says, “At the time, Israel represented the best of morality. “Not anymore?” Itbisam asks. “No,” he replies.
Last night’s screening of “77 Steps” was co sponsored by the New Israel Fund. The Other Israel Film Festival is running in Manhattan through November 17th. Visit www.otherisrael.org/ for a list of films and to buy tickets.
Filed under
“Israeli school children do not know where their country starts and ends on a map,” Gorenberg said. “You can interpret the facts however you want, but you still have to have the facts. I don’t want to see Israel unraveling…we can’t ignore the rising role of the Right in the army and the power of settlers.” According to Gorenberg, there are three things necessary to restablish Israeli democracy: The separation of synagogue and state, the graduation from being a national liberation movement to one that takes care of its citizens, and an end to the occupation.
“The social justice marches in September have shaken Israeli politics,” said Gorenberg. “I was a bad prophet, I thought it wasn’t possible.” It’s unclear, however, who’s going to come out of this as a leader. “The fact that I can’t name who the next prime minister will be is not a reason to give up hope…Giving up hope is a luxury, only the people who aren’t in the situation every day can afford to give up hope.”
There were some particularly striking moments during Gorenberg’s talk. The first is the story of a night he spent in the settlement of Yitzhar, located in the West Bank south of the city of Nablus, while interviewing folks living there. In the morning, he was faced with the decision of whether to daven in the settlement shul. “People are saying the same words, but it’s not my religion. They’re not going to mean the same thing.” said Gorenberg, who identifies as “a left-wing, skeptical Orthodox Zionist Jew.” Ultimately, he did decide to pray in the shul, because “I’m not going to give them the pleasure of ceasing to be religious because of their twisted interpretation of Judaism.”
The second moment came with an audience question-What can American Jews do for Israel? (The q/a, by the way, was handled extremely well-index cards were passed around the room and the questions were vetted by Held.) Gorenberg cited Benjamin Netanyahu’s speech in which he declared, “It’s 1938 and Iran is Germany,” which Gorenberg described as “anti Zionist,” in that it portrays Israel as perpetual victim, and dismisses the strength and power it has gained since its inception. “American Jews need to give up idea of a besieged Zionism, but then the question becomes, if we can’t relate to a beleaguered Israel, how do we relate to Israel?” Israel, offered Gorenberg, is suffering from a collective PTSD. “How do you put an entire nation on the couch?” American Jews remind Israelis what it means to actually be living as a minority and what the diaspora experience is. If American Jews want to support Israel, suggests Gorenberg, they should support institutions that work for equal rights for minorities in the country.
Gorenberg also talked about taking part in a recent social justice march in Jerusalem that traveled down Bezalel street through the neighborhood of Nachlaot. “Suddenly, it was 28 years earlier,” he said, recalling another march in 1983 with Peace Now that traveled the same route. During that march, people hurled objects at the marches from the balconies. On the recent march, there was no violence. “Circumstances will force people to change.”
“All the alternatives (to peace) are awful,” concluded Gorenberg, who earlier in the evening said that the words “one state solution” do not go together, “but Israelis don’t have to buy into the Palestinian narrative and vice versa to have a peace agreement.”
Filed under
If you’re in New York this week, you should check out the “Other Zions” exhibit, currently on display at YIVO. Curated by Krysia Fisher, this absolutely fascinating exhibit showcases the impressive ambitions and efforts of three related Yiddish organisations, all committed to establishing a Jewish homeland within the Diaspora, documenting an oft-neglected chapter in the history of modern Jewish settlement. The exhibit marks the 70th anniversary of the all-Yiddish publication Afn Shvel, the 30th anniversary of the League for Yiddish, and 75 years since the establishment of the Freeland League for Jewish Territorial Colonization.
In July, YIVO hosted an opening for the exhibit, featuring acclaimed Yiddishists, both young and old. The evening centered on the accomplishments and ideological legacies of prominent figures in the Yiddish-speaking world, such as Abraham Rosin, the first editor of the Yiddish literary-cultural journal Afn Shvel; Dr. Mordekhe Schaechter, Yiddish linguist and third editor of Afn Shvel, and founder of Yugntruf; I.N. Steinberg, exiled religious, leftist Freeland activist; and other members of the Freeland movement. Several of the speakers and performers, children and grandchildren of the aforementioned figures, spoke first-hand about the legacy of their forbearers.
To get a schmeck of the history of the Jewish Freeland League, you can watch “No Land Without Heaven: I.N. Steinberg and the Freeland League,” featuring Dr. Adam Rovner (University of Denver), here and learn about the little-known history of the Freeland League, which included attempts to establish Yiddish-speaking Jewish settlements in such places as SW Tasmania, Surinam, and NW Australia. These efforts were ultimately thwarted, most notably by the establishment of the modern state of Israel, and perhaps that is why these stories are seldom related in standard histories of Jewish settlement. 
Today, Mordekhe Schaechter’s grandson (and one of the speakers at the “Other Zions” opening this summer), Naftali Ejdelman, is working to achieve his grandfather’s vision with the establishment of Yiddish Farm in Goshen, NY. Naftali spoke of his grandfather’s attempts in the 1950’s to found a Yiddish-speaking colony on farmland in Roosevelt, New Jersey. Yiddish Farm opened its ‘doors’ to the public this summer with its first annual Golus Festival, an outdoor Jewish culture camping festival with live entertainment. Schaechter’s project unites secular and religious Jews through common love of Yiddish language and agricultural work. On a more micro level, other Schaechter progeny are discussing the establishment of a Yiddish-speaking Moishe House in New York City. If you are potentially interested either in working on the Yiddish Farm or living in a Yiddish Moishe House in NYC, please feel free to contact Naftali at naftali@yiddishfarm.org …and maybe you can live in “another Zion.”
Filed under
follow us on Twitter
follow us on Facebook
subscribe to our email