Sitting in a restaurant
in the South of the city.
They serve one East Coast dish only.
There is a vegetarian option
but I don’t need it.
I’m reading about the end of Liberal Zionism in the paper
wondering what the hell that even means
as I deconstruct words and dig in with my hands.
It’s not me, I reckon. I am reckoning.
Sauce on every finger on every hand.
Scrolling with my wrist. Reading.
Wondering when everyone will come around.
Divisive and decisive op-eds give some people power, here and there.
Right and wrong are there for the taking
for the organized and the artistic and the committed.
But mostly for the committed.
I’m nearly bursting, listening to a new song about black rage
sitting in a restaurant serving cuisine from the East Coast of Africa.
Wondering if the discomfort that man told me I probably feel here
is how it feels everywhere for everyone
This piece first appeared at allthesedays.org
A. Daniel Roth is an educator and journalist living in South Tel Aviv.
You can find more of his writing and photography at allthesedays.org
and follow him on twitter @adanielroth
This is a guest post by actor and stand-up comedian Yisrael Campbell whose show Circumcise Me is now running at the Edinburgh Fringe Festival.
I came home from a busy day at the Fringe, handing out flyers all morning on the Royal Mile with hundreds of other actors and comics. I did my show—getting our largest audience and almost no laughs. But that is okay. I am a trained actor after all. I plop down on the couch in my empty 5 bedroom apt. When this trip was planned two families were going to be spending two of the three and a half weeks’ run here in Edinburgh. Then with the war in Gaza, my writing partner Gary’s family hadn’t come at all and in fact Gary had had to leave early. My wife Avital and our kids had only come in for four days. So instead of ten of us here, there is just me, in a five bedroom apt. Alone and doing the thing I love most —performing
I turned on the TV and not a minute later they broke in with news: “Robin Williams found dead in Northern California.” After Sky’s coverage of the war in Gaza I wasn’t sure they could be trusted. So I did what we do, I Googled it. Nothing, no one was reporting anything. So I did what we do when Google fails us. I tweeted it “Is this true? Is Robin Williams dead?” Sadly it is. Robin Williams is dead. Robin may your memory be for a blessing. It certainly has been in my case. The tweets and status updates are flowing strong. Finally, now, two hours later I find a tweet other than some form of Robin Williams is dead. And even as someone updates that she was chased out of a mall by police in Middle America while shopping for her daughter’s first day of kindergarten, and I realize that people won’t just write about Robin for the rest of our lives, and as the status updates move on, all I can think is Robin Williams is dead.
I met Robin twice. The first time was at a party for the premiere of the film Hook. It was at that party as I stood next to Robin holding a tray of pigs in a blanket that I heard Robin say the following words “When I graduated from Drama School (he had attended Julliard) there wasn’t enough work so I started doing standup.”
I’ve said that line a million times. It fit for me too. Each time I said it I thought of Robin. Each time I think: “Wow I’ve never had his career.” It isn’t just those two things we shared. We’ve both struggled with depression and addiction. He achieved more in his work. I seem to have achieved more in the arena of mental health. I’m not bragging—the game isn’t over for me. I could go down in the same shit storm he has, that’s the nature of the beast. But for today I won. I’m clean, I’m dealing with my stuff. Robin lost today and with that loss we all lost. With his death all of our lives will be sadder, have a little less laughter, a little less joy.
The second time we met was at the Comedy and Magic club in Hermosa Beach California. I was writing for a friend and he was middling behind Ray Romano. Evan called and said: “Come to the show tonight there’s going to be a surprise.” Well sure enough Robin showed up, and while Ray did his hour, six of us sat backstage. Robin was warm and generous he didn’t need to be the only funny one or the only one telling jokes. Then he went out on stage and got a standing ovation simply for walking out on stage. It doesn’t get any better than that. Expect to know that he was there to get his act tight for a fundraiser for Christopher Reeves’ charity for spinal cord injuries.
There is a story in the Talmud in Maseket Taanit that tells the story of Elijah walking in the market and he is asked “Does anyone here have a place in the world to come?” At first Elijah says no, but then he says, “Those two over there.” The narrator runs to them and asks what they do, and they answer “We make people laugh.” Surely the same is true for Robin. Surely he has a place in the world to come. If I weren’t living my dream, performing daily at the Edinburgh Fringe Festival, seeing great comics and actors—many I’m sure inspired by Robin Williams— then there’s nowhere else I’d rather be than at the show tonight in heaven. Robin, Lenny, and Richard. It’s been so long since Robin was the opener.
Last February, I shared a link right here on Jewschool to a Craigslist ad advertising for models for a “Naughty Jewish Boys” calendar. I was so tickled by the idea when I saw it on my friend Duncan Pflaster‘s Facebook page, I didn’t even realize that he had posted the ad – or that the Jewschool post would bring it widespread Jewish media attention. Fast forward five months, and the calendar is a real thing that exists in the world in two versions: the regular and extra-naughty editions. I sat down with Duncan this week to chat about his adventures in putting these calendars together.
Naturally, the first thing I wanted to know about was what kind of controversy the calendar had generated. Duncan’s run-ins with the creator of the Nice Jewish Guys calendar have been well documented elsewhere, but I had to know: were religious people offended at the images of nearly-naked men with ritual objects? Were liberals offended at a non-Jewish photographer eroticizing or even fetishizing Jewish men? Nope. “Most everybody has thought it’s been a fantastic idea,” he told me, “Especially the Jewish press.” While he did have a couple of people get upset over eroticizing Judaism, the more common response has been from women saying “it’s incredible. Thank you so much for doing this.” More »
Hamas produced a music video in Hebrew singing about terror attacks against Israelis and intended to intimidate them. But the strategy has backfired, as social media-savvy Israelis with their trademark dark humor remixed the catchy tune. Posting to YouTube, Israelis turned murderous lemons into oddly entertaining lemonade, including versions in a capella, acoustic, cartoon, and even animal performers.
The A Capella version (racist headgarb aside):
An eerily fitting Lion King version:
Check out the Smurf, acoustic, parrot, and diningware instrument versions. This collection selected from, of all places, Artuz 7.
When Tablet Magazine published this piece last week about a Torah-writing-robot, I was astounded and excited and generally freaked out. For those who don’t know, here’s my brief explanation of the art of Torah writing:
A sofer is the Hebrew name for the scribe who painstakingly writes Torahs. For those who don’t know, it can take over a year to write ONE Torah scroll. And it’s not like typing on your computer or writing in your notebook – if you mess up, you have to restart the page you’re on or sometimes carefully scrap the ink of the mistake off thepage. It’s certainly not as easy as pressing “delete.”
So when the Jewish Museum Berlin opened an exhibition called “The Creation of the World” featuring a robot that can write a 260-foot long Torah in THREE MONTHS, my jaw dropped. I thought it was brilliant! That would save time and animal hide and who knows what else. So why was I also totally uneasy about it?
Maybe it’s because I’m in the midst of watching Battlestar Gallactica, but it seems to me the more power we give to robots, the more power we lose. Robotic devices already do plenty, from manufacturing food to cleaning; it seems to me having them do sacred tasks is a bit, well, blasphemous. Or is it?
I’m not really sure. If we don’t want robots writing our Torahs, what else don’t we want them to do? What do we want them to do? Are there any religious tasks that could be done with robotic aid?
I’m well aware that the process of writing a Torah isn’t just about the writing. According to tradition, a sofer must use a certain kind of pen and there are blessings that need to be said throughout the undertaking. Would it count if the robot read the blessings? Or if someone said the blessings on behalf of the robot? Or is this a task we should leave to the humans?
Photo from Tablet Magazine
It has been a very dark time for Jewish news over the past few weeks. War and war crimes, chants calling for our death, us calling for others’ deaths, and overall nastiness. Often times, even on the storied pages of Jewschool, we simply ignore the rest of the Jewish world during the perennial security operations taking place in the name of the Jewish people.
Yet there are other things happening in the Jewish world and some of them are good. In fact some are even fun. While this post deviates from some of the hard hitting topics we often discuss in this forum, it is an important one for more than the obvious reasons. More »
What does it feel like
To be a Jew in America
Hearing the news of the Israeli army’s assaults on Gaza
Like a cancer, one part of my body attacking another
The cells do not listen to my cries:
You’ve got it all wrong
This body is one organism
Why can’t I cease this inside of my own skin?
Friends, colleagues, newspapers describe how “we” are attacking “them”
Since when am I this “we” you speak of?
Is it because I face occupied Jerusalem when I pray?
Because I say blessings over my food in the language of the oppressor?
I yearn to protect my edges
I long to strike a balance
How to stay safe while remaining open?
It’s actually a question I ask myself every day
And today, as a Jew in America, my voice is muffled
My opportunity to question is denied
Prayers for peace are welcome
Calls for justice
Perhaps equal access
I ask my body again
It pauses for a moment
As if it somehow remembers that it is one body
And then returns to its task
Destroying the cells one by one
Shamir writes poetry in the Berkshire mountains and also on trains
Violence is bad.
Racism is always wrong.
Israel, wake up.
Thrown in a car. Burned.
Occupation and vengeance.
Strangers in strange land.
Not any design,
this profitable power.
Flags and flames throughout.
A. Daniel Roth is an educator and journalist living in South Tel Aviv. You can find more of his writing and photography at allthesedays.org and follow him on twitter @adanielroth
The new doc by frequent Jewschool guest blogger Eli Ungar-Sargon is premiering on July 3. If you are in New York go see it. The film is by turns saddening, angering, depressing, and hopeful. What more can you ask?
July 3rd at 3pm at the Quad Cinema 34 W 13th St. NY.
Tamar Fox is one third of the team that brings you “Talking in Shul,” along with Mimi Lewis and Zahava Stadler. Tamar is a writer and editor in Philadelphia. She has worked at MyJewishLearning.com, Haggadot.com, Shma.com, and Jewcy.com, among others. Her writing has been published in the Washington Post, the Jerusalem Post, and Tablet Magazine. Tamar’s first book, No Baths at Camp, was published in 2013, and is a PJ Library selection.
Jewschool: Tell us about Talking in Shul and how it got started.
Talking in Shul is a roundtable podcast featuring Zahava Stadler, Mimi Lewis, and me, talking about various Jewish political and cultural topics. It’s one of several podcasts in the Open Quorum
family of podcasts–the other big one is SermonSlam
, but there are many more forthcoming. David Zvi Kalman, who came up with the idea for OpenQuorum approached me about creating a podcast and I’m a total podcast fiend, so I was on board right away. I really love podcasts where a group of people bat around an idea for 10-30 minutes, so that’s the kind of podcast I wanted to create and we set about looking for other people to join the table, as it were.
Jewschool: What do you think each of you brings to the podcast, in terms of background and perspective?
Tamar Fox: Zahava is pretty solidly modern Orthodox. Mimi comes from a Reform background, and I grew up going to Conservative and Orthodox day schools, and going to a non-denominational minyan, so between us I think we speak to a wide scope of Jewish experiences.
Jewschool: How do you decide what to talk about?
Tamar Fox: We have a Google doc where we brainstorm ideas, and we sometimes come up with ideas for future tapings while we’re recording episodes. We also try to be at least a little newsy, and think about whatever stories are big in the Jewish news world.
Jewschool: What do you think is unique about this podcast? Why should we listen to it?
Tamar Fox: I didn’t set out to have it be only women, but I think it’s really wonderful that we are featuring women’s voices, and that’s not something that you see a lot in Jewish podcasts. Also, I think we’re really a fun, interesting crew, and it’s nice to have a Jewish news/culture discussion podcast. That’s not something that really exists otherwise, to my knowledge.
Jewschool: How can people find Talking in Shul?
You can subscribe
to the podcast on iTunes, or you can list on the Open Quorum
website. Sermonslam is basically a poetry slam for sermons, where sermons are very loosely defined as “short performances on a preset theme.” They are similar to the Moth storytelling events, with winners chosen at the end, but we record all performances, and you can listen to them on the Open Quorum podcast stream.
Jewschool: Finally, what are you excited about for the future of the podcast?
Tamar Fox: I don’t know for sure when we’re going to talk about it, but we’re thinking about doing a segment on Jewish social justice, and how sometimes Jews want to frame an issue as particularly Jewish, when really, it’s just a moral imperative, and maybe that’s Torah based and maybe not, but we should still act on it.
(P.S. If you do a Google search for “Talking in Shul,” this comes up. Which apparently is the inspiration for the song “Don’t Talk, Just Daven,” by the Miami Boys Choir. When I did a search on You Tube for that song, I found this.)
Hey, Jewschoolers. Check out my piece in Sh’ma Journal considering the consequences for community building and relationship nurturing of social media and virtual life. I’ll tease it here, and you can click on the link to read the rest on Sh’ma.
People are more mobile than ever; communities and jobs are more fluid, and relationships are taking on new shapes. While we are more globally connected, we are feeling ever more alienated and desperate for rootedness, connection, and community. For those of us in the expanding Zeitgeist of virtual communities, a number of questions require consideration:
- How do people retain both their deep connections and the casual ones that enable the migration of ideas?
- How do virtual communities affect our humanity and relationships?
- Is commitment to physical place important?
- What do we gain and what do we lose through so much mobility?
For the rest of this article, click here and check out
Nearly all of the issues I raised in my 2011 post, “The Price of Jew$chool,” which lamented the state of Jewish Day School tuition and the weaknesses of its alternatives in formal Jewish education, unfortunately remain quite relevant today. Then again, statements such as the 25-year-old Greek Chief-Rabbi elect‘s recent reflection that the internet was his Jewish education, stand as sobering reminders that beyond the U.S. and Israel, Jewish education, even in its most modest forms, is a scare resource. According the 2013 Pew Report Forum findings on Jewish life in America, 23% of Jews report having attended Jewish Day School or yeshiva in their youth, and nearly 60% have attended some other form of (non-Day School) formal Jewish education. What does the future hold? How can we respond to this continuing crisis?
The Price of Jew$school
Before you panic, rest assured: we’re not about to start charging you when you read more than 20 posts per month. No, we’re talking about the ever-skyrocketing expense of sending children to Jewish day school in the U.S.
With $7,000 you might be able to fly back and forth to Israel six times, but for the same price you could stay put in Overland Park KS and learn at the Hyman Brand Hebrew Academy for one year. One thousand dollars more will buy you—show them what they’ve won—one year of 1-8th grade education at the Cincinnati Hebrew Day School. If you want to send your child to the Solomon Schechter of Atlanta, be prepared to shell out upwards of $17,000 per year starting with first grade. $26,650 might be a fine price for a Toyota RAV4 Sport, but did you know that for the same price, you can ‘kaneh likha rav’—or maybe even four—and enroll for one year of high school at the Jack M. Barrack Hebrew Academy in Bryn Mawr, PA? $29, 955 would be a steal for a small, foreclosed apartment in a depressed real estate market, but it could also buy you one year’s education at Milken community high school in LA. These numbers don’t even include the usual “give and get” $1,000+ minimums typically imposed upon day school families on a yearly basis. More »
Donald “I am not a racist” Sterling gave an interview to Anderson Cooper on CNN last night and boy it was just a beautiful example of Asshatery.
“Jews when they get successful, they will help their people, and some of the African Americans – maybe I’ll get in trouble again – they don’t want to help anybody.” – Sterling.
Simply this guy is just horrible. He needs to stop talking and go away. I am ashamed to have him as member of the tribe and hope he fades into obscurity.
However, he isn’t alone. We all know that and won’t talk about it. More »
Many Jewschool readers probably saw a video making rounds on their social media this week, that could be described as “sick like malaria”, or at least, “cool as a cucumber in a bowl of hot sauce”: four Buddhist monks (or, apparently, four young men dressed as Buddhist monks) shaking their rumps in money-makin’ Manhattan’s Union Square to put on a breakdancing show in anticipation of the 2nd anniversary of the death of rapper, bassist, film director, music producer, social activist, and Jew-turned Buddhist, Adam Yauch, aka MCA from the Beastie Boys, aka Nathanial Hornblower, aka, Praying Mantis, who died on May 4, 2012 of cancer, at age 47.
Two years ago, on MCA’s “sheloshim“ (when I was still a guest-poster at Jewschool), I posted this piece trying to capture the depth of grief that some of us otherwise rational and well-balanced adults experienced over Brother Yauch’s passing. Every word still feels raw and fresh to me. For the man who put TiBeT in the popular American discourse, here’s today’s TBT for MCA. Namaste.
Waaaay back in 2003, Mobius posted about Counting the Homer, a Simpsons Omer counter. To see the brief post in its original formal, click here. Good find Mobius… It was, and remains, a popular counter, but no matter which of those links you click, you may be disappointed. The original JVibe host has since gone belly up. And so if you’d like to keep up with the count, click here.
For those counting, last night was a Baker’s Dozen and two Donuts, 15 Donuts of the Homer (add one for tonight’s number). In addition to the proper Sefira bracha, you might also need to say a mezonos. Apparently you can also follow the Homer on twitter.
Normally I wouldn’t step up to diss, ‘cuz all the haters and commentators will be quick to hiss-
But when these cheder dropouts came on the scene, I wasn’t sure if I should laugh or clutch my spleen.
The rhymes were ill, real sick- as in “the mind,” stereotypical sexism we should leave behind.
Not to mention the appropriation of a form most crude, and getting rap backwards, using thought for food.
Do we need to mock ourselves in these ridiculous ways? Does this help bring Moshiach, may it come soon, in our days?
Its little better than the minstrelsy of Two Live Jews and shouldn’t be surprising when it draws out boo’s.
Maybe I’ve lost my humor. Maybe I’ve lost my mind. Or perhaps I don’t appreciate hip hop of this kind.
On March 27th, the National Post’s Religion blog ran a piece on Passover songs that had been briefly lost to history. Teens from the Anne and Max Tanenbaum Community Hebrew Academy recently performed Passover music that had been translated into Latin in the 17th-century by Christian scholar Johannes Rittangel. It’s likely this musical arrangement hasn’t been performed in more than 300 years.
You can follow the path of the music’s revival from the post that captured the attention of Tanenbaum head of school Paul Shaviv, the On the Main Line followup post (with video!) of the music, and the National Post article.
I have to applaud Aryeh Bernstein for this idea. This blog has covered the first sparks of many Jewish movements before they were worth reporting by others. And looking back 10 years later, we can see how the debates of last decade are, largely, over. Intermarriage acceptance? Won. Independent minyanim? In every major city. (Come check out Selah in Seattle.) Pro-Israel, pro-Palestinian, pro-peace? Now a real force in Congress.
But what about Jewish “hipsterdom,” perhaps better expressed as the burst of hybrid Jewish arts, culture, music, creativity and expression in the early 2000s? Remember the early days of HEEB, Jewcy, JDub Records, Kavod House, the Jewish Fashion Conspiracy, and Storahtelling? Simultaneously, the first waves of philanthropy aiming to “fight” intermarriage washed ashore. Nine years ago (oh yes, nine) this community was debating the pros and cons of accepting “continuity” funding for our new ideas.
Just take this post back from December 29, 2005, by Dan Sieradski, “NY Jewish Week Knocks Jewish Hipsterism.” Said Sieradski,
All of the grant money available to Jewish cultural projects fall under the auspices of Jewish continuity — recently rebranded “renaissance & renewal.” These are merely euphemisms for getting Jews to shtup other Jews. It seems to be the only thing big-wig Jewish philanthropists find themselves concerned with, with the few exceptions of those focused on Jewish education and social action. In this climate, the only way for innovative Jewish projects to get funded is if they present themselves within the context of Jewish continuity. It’s a dirty game, but it’s the reality.
The landscape is different. Some of these initiatives stand tall: Hadar has spawned an successful institute, Mechon Hadar. And the field features notable graves: JDub Records (z”l). But the big picture matters more than the specific instances: emergent groups are institutionalizing into permanent features, displacing and replacing older ones. No accident that the very term “emergent” was coined by Jewish Jumpstart, whose Shawn Landres you can see there in the comments of Sieradski’s post.
Take a trip in the wayback machine and read it here.