Jerusalem. The city of gold. The city of peace. And sometimes the city of violence. But not the type of violence that you might expect.
Today marks the International Day for the Elimination of Violence against Women and just last night 40 women and men gathered in a local Jerusalem cafe for Verses Against Violence, an evening of poetry to raise awareness about the plight of domestic violence in Israel. The evening featured twelve readers and a live music performance, and raised funds for Bat Melech, the only kosher and Sabbath-observant shelter for victims of domestic violence in Israel.
According to WIZO, there are 200,000 victims of domestic violence in Israel, but not nearly enough services to meet demand. There are 14 shelters in all of Israel – 10 for secular Israelis, 2 for Arab Israelis and only 2 that cater to the religious Jewish population, both operated by Bat Melech. More »
Jon Stewart, host of The Daily Show, is promoting his new film Rosewater and seems to feel comfortable with a dust up over his long-running lampooning of pro-Israel dogma. After being silent on Israel except in the scope of carefully-crafted skits on the show, it’s notable to see him finally let loose a little on the ridiculous way the Jewish community treats criticism of Israel. Read the whole interview here, the juicy bits excerpted below:
How does that make you feel? Is [Iran's calling you a Mossad agent] humorous to you?
Of course. Because it’s ridiculous. It’s humorous to me in the same way that a lot of what happens in the movie is humorous to me. There is an absurdity in dogma and rigidity and even that question has dogma, but on the other side. It’s so interesting to me that people want to define who is a Jew and who is not. And normally that was done by people who weren’t Jewish but apparently now it’s done by people who are, and I find that very interesting. It’s more than nationalism.
You can’t criticize Israel, right?
No. And you can’t observe (Judaism) in the way you want to observe. And I never thought that that would be coming from brethren. I find it really sad, to be honest.
I know the feeling.
Yeah, and you see it and it is pretty vicious. And how are you lesser? How are you lesser? It’s fascistic. And the idea that they can tell you what a Jew is. How dare they? That they only know the word of God and are the ones who are able to disseminate it. It’s not right. And it’s something that they’re going to have to reckon with.
And it will only improve The State if they do.
You’re absolutely right. I always want to say to people when they come at me like that: “I would like Israel to be a safe and secure state. What’s your goal?” So basically we disagree on how to accomplish that but boy do they, I mean, you would not believe the sh-t. You have guys on television saying I’m a Jew like the Jews in the Nazi camps who helped bring the other Jews to ovens. I have people that I lost in the Holocaust and I just … go f-ck yourself. How dare you?
Stewart’s albeit comedic treatment of Israel and Palestine with equanimity has been a breath of fresh air for so many of us younger Jews. As the Pew research study told us, the majority of American Jews and especially young Jews are with you, Jon. Keep it up. And thank you!
Editor’s Note: Inspired by this guest post, we’re looking for submissions from you – our creative, progressive readers- articulating a vision for a what a fearless Jewish future and community might look like. Email us at email@example.com with “Guest post” in the subject line. Look for posts on this subject from the Editors starting next week!
This is a guest post by Naomi Adland, a graduate student and Jewish professional living in Brooklyn, NY.
Three years ago, I sat down to write a personal statement for my application to the Wexner Graduate Fellowship, and poured out my heart in an essay about the importance of honoring and respecting the work of those who came before us, as those communal roots are the ones that support our future endeavors. This week I had the opportunity to attend the General Assembly of the Jewish Federations of North America with my Wexner class – my first serious introduction to the world of Federation professionals and lay leaders, and a real chance to explore what it might look like to engage with an institution that has shaped what it means to be a Jew in the Diaspora. And 45 minutes before I left the conference yesterday, I was still waiting for someone – anyone – to articulate a compelling vision for the Jewish future that wasn’t rooted in fear.
In its own words, the GA is meant to “inspire and engage current and emerging Jewish leaders, tackle the most critical issues of the day and showcase the best of the Federation movement.” Despite the inherent complexity of programming for a varied Jewish community, it seems to me that delivering a compelling narrative at the GA should not be so hard. After all, the work of the Federation is integral to the health and wellbeing of our community. The Federation funds some of our most vital programs and institutions – social services for a vast array of populations, summer camps, schools, synagogues and more. I have heard the Federation system explained as the government of the North American Jewish community, meaning the GA is a three-day State of the Union address – a chance to articulate a vision for the coming year.
I was surprised to discover that the overwhelming narrative at the GA was not one of communal successes and impact, but rather one of fear. Ostensibly, the theme of the GA was “the world is our backyard.” Meant to evoke the importance of collective action, the exhibition hall was decorated like a backyard replete with picnic tables and fake picket fences. However, the three plenaries I attended over the course of two days and in breakout sessions, meals, and discussions in the hallway, the theme of collective action was consistently couched in the vocabulary of crisis. Be afraid of the imminent fall of the State of Israel. Be afraid of the dwindling Jewish population. Be afraid of BDS on campus. Be afraid of anyone who disagrees with our narrative. Be afraid of change. Be afraid.
Fear was present in the words of Michael Siegal, Chairman of JFNA, when he said he was “concerned that we have reached a plateau with interfaith families. Being Jewish is very much a numbers game, and some of the numbers should be keeping us all up at night.” It was in Vice President Joe Biden’s comparison of Israel to a survivor of domestic abuse, and it was in the words of the three young women, all campus leaders, who vocalized anxiety about being Jewish on campus while standing in front of a banner branded with a swastika underneath the words “Boycott Israel.”
Perhaps there are moments when it makes sense to turn to a narrative of fear. After the complex events of the summer’s war in Gaza, the tensions of the past few days in Jerusalem, and with rising anti-Semitism in Europe, it is understandable that our communal conversations touch on themes of conflict and survival. When we are concerned for our own safety, we tend to act swiftly and respond from a place of deep emotion.
Despite the recent indications to the contrary, the Jewish community is living in a context of unprecedented safety and opportunity in a larger number of places than ever before. In committing to a narrative of fear, we miss an opportunity to elevate what Judaism and the work of the Federation is actually about. In caring for an aging population, supporting Jewish education, and strengthening the global Jewish community, the Federation is living out deep Jewish values of justice rooted in the notion of b’tzelem elohim (that we are all created in the image of God), and creating and supporting communities of joy and vitality.
Arguing that “we must support the Federation because if we don’t, Judaism as we know it will disappear” assumes that Jews who support the Federation are incapable of recognizing the value of the sacred work the Federation system is doing, and makes it impossible for those who don’t already feel a connection to the community to create one. Rather than operate from a place of fear, the Federation should be fearless – articulating a vision for the coming years that includes not just the power of collective action as a defense strategy, but the power of collective action as a way to build relationships between disparate parts of the Jewish community, that engages with complex value questions in a serious, thoughtful fashion, and that roots the work of caring for members of our community in rich Jewish values and traditions. The Federation already has a powerful legacy and a compelling narrative. Why try and supplant that with a message that is so far off the mark?
Yes, here it is, the announcement that you have all been waiting for. After sifting through the… uhhh… hmmm… one entry to decide what cookie will represent Jewschool at NewGround’s evening Spotlight: The Space Between, the winner is Kung Fu Jew’s entry: spicy (jalapeno chocolate) hamantashen. His reasoning: “A classic Jewish cookie celebrating victory over Haman, with a new reminder that the exercise of power can be sharp on those who wield it too,” will accompany every cookie. The spicy hamantashen will be played by Trader Joe’s Crispy Crunchy Oatmeal Raisin Cookies, cause, ya know…November…Purim…whatever.
In any event, if you are in L.A. on Saturday night come to Spotlight. (It sells out so get your tickets now. Link on the FB event page.)
NewGround is one of our favorite organizations. Their main activity is a year long fellowship for Muslim and Jewish adults in which the participants learn communication and conflict resolution in order to further mutual respect and cooperation while allowing for difficult and tense conversations. Or as they say it:
NewGround equips Jews and Muslims in America with the skills, resources, and relationships needed to strengthen Muslim-Jewish relations and cooperation on issues of shared concern. Through an intensive fellowship, collaborative public programming and consulting, NewGround impacts a broad political and religious spectrum of Muslims, Jews and the institutions that represent them.
NewGround’s annual fundraiser/friendraiser event is called Spotlight. It is based on The Moth’s program of curated stories. This year’s theme is “The Space Between”. The event page on Facebook is here. More »
This week marked the first yahrzeit of Rav Ovadia Yosef. Last year, in the aftermath of his death, and in the midst of a media storm including wildly varying assessments of his life, I posted this piece, “On Heroes and Villains and when They’re the Same: Thoughts on Rav Ovadia“. It got a lot of traction, receiving, we think, the most social media shares in Jewschool history (subsequently eclipsed by Rabbi Oren Hayon’s guest post about BDS campus campaigns). The challenge of fully acknowledging a person’s misdeeds and merits is as relevant a year later. Specifically, in the Rabbinic realm, the past couple weeks’ revelations of Rabbi Barry Freundel’s outrageous violations of privacy and abuse of power at the D.C mikveh have likely been confusing for D.C. Jews who have ever been inspired by Torah taught by Freundel or helped by his pastoral counsel. How can we square the corruption with the inspiration? For this, we bring you this week’s Throwback Thursday, to last year’s post about Rav Ovadia.
Throwback Thursday has been dark here for a while, with holidays falling on Thursdays, but with the holidays over, we’re back. Today, we recall legendary rock and roll poetic grouch, Lou Reed, front man of the Velvet Underground and prolific soloist, who died last Oct. 27, after which I wrote this piece, cross-posted in Heeb and on our blog, reflecting as a Jew on Reed’s cultural significance.
x-posted at Justice in the City
“Creativity” is the latest buzzword in education. The most watched TED talk ever is a talk given by Sir Ken Robinson in 2006 called “How schools kill creativity.” It has had almost twenty million views.
Sir Ken’s main point (which is later joined by his second main point) is that creativity is as important in education as literacy and should be given the same status. His second main point is that children are not taught creativity, rather they are educated out of creativity. This means that all children are naturally creative and the educational system beats that creativity out of them, scaring them with the ideas that there are some things that are right and others that are wrong, and that it is important to know the difference between them.
This is a guest post by Rabbi Josh Bolton, the Senior Jewish Educator for the Jewish Renaissance Project at UPenn Hillel. You can reach him at firstname.lastname@example.org.
I say the Kiddush.
I don’t say the Grace after Meals.
I study the Torah.
I don’t own two sets of dishes.
I wrap tefillin, occasionally.
I don’t ever attend minyan.
I long for the Land of Israel.
I don’t have mezuzot on all my doorframes.
I read the Jewish periodicals.
I don’t mind kindling a flame on the Sabbath.
I give charity to the poor person.
I don’t fast on the 9th of Av.
I like klezmer music.
I don’t prioritize kosher over organic.
I leave my son’s hair uncut to three years old.
I don’t live within walking distance of the shul.
I circumcised my son on the eighth day.
I don’t know, I may get more tattoos one day.
I have a social circle comprised mostly of Jews.
I don’t really care if the Torah was written by Man or God.
I have a prominent bookshelf full of traditional texts.
I don’t always behave nicely with orthodox educators.
I weep in Yad Vashem.
I don’t mind listening to salacious gossip.
I wear a kippah.
I don’t make Havdallah.
I speak Hebrew like a child – but I do speak.
I don’t regard the voices of the ancient rabbis to be more sacred than our own voices.
I hang a picture of Jerusalem in my living room.
I don’t believe continuity for continuity’s sake is a compelling reason for Jewish life.
I prayed at the grave of Menachem Schneerson — at twilight with my brother.
I don’t know how to perform the ritual of Hoshannah Rabba.
I take every opportunity to submerge in the mikveh of Isaac Luria.
I don’t think spirituality demands wearing long skirts or a yarmulke.
I have memorized large swaths of the liturgy.
I don’t believe the Va’ad Kashrut serves the interests of the Jewish community.
I am a devoted student of the Hasidic masters.
I don’t really clean my kitchen for Pesach.
Last night, guest blogger Ben Greenfield posted a provocative piece on memory and ritual and how we can and do relate to 9/11 and Tisha B’Av. This is not the first time the blog has addressed that connection. For Throwback Thursday today, we’re re-running zt‘s short post from around Tisha B’Av five years ago, highlighting Irwin Kula’s reading in Eikha (Lamentations) trope of last phone messages from 9/11 victims. Revisit it here. You can read Rabbi Kula’s own explanation of the recording here, including a better link to his actual recorded chanting.
Calling all Jews with horns (and their allies)–
You are hereby welcomed to take part in a historical mass shofar-blowing gathering this coming Sunday in Prospect Park. The event will consist of a shofar-blowing workshop, a series of collective blasts, and a vegetarian potluck picnic.
At 5:30pm, we will meet at the corner of 15th St. and Prospect Park West and proceed to enter the park. Please arrive on-time so everyone can find each other.
If you own a shofar and/or a phone which can film, please bring it with you, as well as something for the potluck, if you can stay after.
Our rain location is the Park Slope Jewish Center (1320 8th Ave, located at the SW corner of 14th St and 8th Av).
This event is free, open to the public, family-friendly, and intended for experienced and novice shofar-blowers alike, so please do come and invite friends. We hope you can join us as we herald in the new year with great fanfare.
It will be…a blast
Love her or hate her, Joan Rivers, aleha shalom, was one of the most recognizable American Jews of the past half century and one of our most successful comics. By my count, she has been mentioned five times in Jewschool’s storied history, so today, for Throwback Thursday, here’s sarah‘s 2007 review of the San Francisco Jewish film festival, including a review of Making Trouble: Three Generations of Funny Jewish Women, produced by the Jewish Women’s Archive and focusing on Molly Picon, Fanny Brice, Sophie Tucker, Joan Rivers, Wendy Wasserstein and Gilda Radner. All six of these Mt. Rushmorians of Jewish comediennes have left us now. Rest in…oh, who are we kidding? Joan Rivers isn’t resting any kind of way; she’s working some crowd to find the laughter and absurdity in the awfulness of something in olam haba.
I’m familiar with your story
This gratitude you cultivate helps ground you
And yet, do you really deserve to ask for more?
The answer to this question will give you the balance you seek
Sometimes you need a reminder that we already said farewell to the month of Av
As it is written in Job: “Man born of woman is short of days, and fed with trouble. He blossoms like a flower and withers, and vanishes, like a shadow.” (Job 14:1–2)
In Elul, you are instructed to enjoy the ephemeral beauty of the flowers without worry of their withering
Since t’shuva/repentance is the name of the game, instead of fearing change we welcome it in
Every morning the shofar calls you to t’shuva/repentance
Are you listening?
How might you be more awake in order to hear its sound?
Allow these blossoms a chance to bring you to the presence you desire.
Step 1 – gather flower petals into a large bowl- ideally four colors and four different species. Bowl is ideally wood but can also be glass or metal.
In New England this is a great time of year to find a diversity of goldenrod, Queen Anne’s lace, chicory and aster.
Step 2 – fill your bowl with water covering the petals – ideally spring water but tap water is also fine. The chance to visit a river, lake or small spring will only add to the ritual
Step 3 – ASK FOR SOMETHING. This is for real. If you’re going to open up enough to do real t’shuvah/repentance this year, you have to acknowledge that you are not yet whole – that there is something about yourself you want to change, or at least cultivate. A useful formula is “May I be…” or “Let me be…”
Step 4 – Pour the entire bowl of petals and water over your head.
Step 5 – Proclaim out loud: “Horeini Ya Darkecha – הוֹרֵנִי יְהוָה, דַּרְכֶּךָ – reveal to me your path” – Ps. 27:11. This is both the sealing of our request and also a letting go of wanting only one thing.
Re-posted by the author from Ma’yan Tikvah’s Divrei Earth: Spiritual wisdom from Earth and Torah.
by Danya Lagos
“Now, how’s that for good to the last drop? How’s that for a good boy, a thoughtful boy, a kind and courteous and well-behaved boy, a nice Jewish boy such as no one will ever have cause to be ashamed of? Say thank you, darling. Say you’re welcome, darling. Say you’re sorry, Alex. Say you’re sorry! Apologize! Yeah, for what? What have I done now? Hey, I’m hiding under my bed, my back to the wall, refusing to say I’m sorry, refusing, too, to come out and take the consequences. Refusing! And she is after me with a broom, trying to sweep my rotten carcass into the open. Why, shades of Gregor Sarnsa! Hello Alex, goodbye Franz! You better tell me you’re sorry, you, or else! And I don’t mean maybe either! I am five, maybe six, and she is or-elsing me and not-meaning-maybe as though the firing squad is already outside, lining the street with newspaper preparatory to my execution.” — Philip Roth, Portnoy’s Complaint
In Portnoy’s Complaint, arguably the defining book of the modern Jewish-American literary Canon, Philip Roth launches into a full-on confrontation of the debilitating cultural malaise that is the cult of “goodness” – or, rather, a highly individualized and internalized cultivation of agreeableness, at whatever cost. This is the key ingredient of suburban assimilation, of first and second-generation immigrants, of “making it” – a meticulous pursuit of not only acting “good,” but a codependency marked by a strong confessional tendency, where even your innermost thoughts and desires must be attuned to the needs of others – who force you to allow them into a contrived and intense intimacy, making you answerable to them, for everything. It rings all too true for me personally since I read it 2009, even though it was published in 1969. While the figure of Jewish mother takes the majority blame in Portnoy’s Complaint for the smothering regime-cage of “goodness” as the ultimate redemption of the world, it is difficult to ignore its lurking presence in other people and spaces as well. More »
Sitting in a restaurant
in the South of the city.
They serve one East Coast dish only.
There is a vegetarian option
but I don’t need it.
I’m reading about the end of Liberal Zionism in the paper
wondering what the hell that even means
as I deconstruct words and dig in with my hands.
It’s not me, I reckon. I am reckoning.
Sauce on every finger on every hand.
Scrolling with my wrist. Reading.
Wondering when everyone will come around.
Divisive and decisive op-eds give some people power, here and there.
Right and wrong are there for the taking
for the organized and the artistic and the committed.
But mostly for the committed.
I’m nearly bursting, listening to a new song about black rage
sitting in a restaurant serving cuisine from the East Coast of Africa.
Wondering if the discomfort that man told me I probably feel here
is how it feels everywhere for everyone
This piece first appeared at allthesedays.org
A. Daniel Roth is an educator and journalist living in South Tel Aviv.
You can find more of his writing and photography at allthesedays.org
and follow him on twitter @adanielroth
This is a guest post by actor and stand-up comedian Yisrael Campbell whose show Circumcise Me is now running at the Edinburgh Fringe Festival.
I came home from a busy day at the Fringe, handing out flyers all morning on the Royal Mile with hundreds of other actors and comics. I did my show—getting our largest audience and almost no laughs. But that is okay. I am a trained actor after all. I plop down on the couch in my empty 5 bedroom apt. When this trip was planned two families were going to be spending two of the three and a half weeks’ run here in Edinburgh. Then with the war in Gaza, my writing partner Gary’s family hadn’t come at all and in fact Gary had had to leave early. My wife Avital and our kids had only come in for four days. So instead of ten of us here, there is just me, in a five bedroom apt. Alone and doing the thing I love most —performing
I turned on the TV and not a minute later they broke in with news: “Robin Williams found dead in Northern California.” After Sky’s coverage of the war in Gaza I wasn’t sure they could be trusted. So I did what we do, I Googled it. Nothing, no one was reporting anything. So I did what we do when Google fails us. I tweeted it “Is this true? Is Robin Williams dead?” Sadly it is. Robin Williams is dead. Robin may your memory be for a blessing. It certainly has been in my case. The tweets and status updates are flowing strong. Finally, now, two hours later I find a tweet other than some form of Robin Williams is dead. And even as someone updates that she was chased out of a mall by police in Middle America while shopping for her daughter’s first day of kindergarten, and I realize that people won’t just write about Robin for the rest of our lives, and as the status updates move on, all I can think is Robin Williams is dead.
I met Robin twice. The first time was at a party for the premiere of the film Hook. It was at that party as I stood next to Robin holding a tray of pigs in a blanket that I heard Robin say the following words “When I graduated from Drama School (he had attended Julliard) there wasn’t enough work so I started doing standup.”
I’ve said that line a million times. It fit for me too. Each time I said it I thought of Robin. Each time I think: “Wow I’ve never had his career.” It isn’t just those two things we shared. We’ve both struggled with depression and addiction. He achieved more in his work. I seem to have achieved more in the arena of mental health. I’m not bragging—the game isn’t over for me. I could go down in the same shit storm he has, that’s the nature of the beast. But for today I won. I’m clean, I’m dealing with my stuff. Robin lost today and with that loss we all lost. With his death all of our lives will be sadder, have a little less laughter, a little less joy.
The second time we met was at the Comedy and Magic club in Hermosa Beach California. I was writing for a friend and he was middling behind Ray Romano. Evan called and said: “Come to the show tonight there’s going to be a surprise.” Well sure enough Robin showed up, and while Ray did his hour, six of us sat backstage. Robin was warm and generous he didn’t need to be the only funny one or the only one telling jokes. Then he went out on stage and got a standing ovation simply for walking out on stage. It doesn’t get any better than that. Expect to know that he was there to get his act tight for a fundraiser for Christopher Reeves’ charity for spinal cord injuries.
There is a story in the Talmud in Maseket Taanit that tells the story of Elijah walking in the market and he is asked “Does anyone here have a place in the world to come?” At first Elijah says no, but then he says, “Those two over there.” The narrator runs to them and asks what they do, and they answer “We make people laugh.” Surely the same is true for Robin. Surely he has a place in the world to come. If I weren’t living my dream, performing daily at the Edinburgh Fringe Festival, seeing great comics and actors—many I’m sure inspired by Robin Williams— then there’s nowhere else I’d rather be than at the show tonight in heaven. Robin, Lenny, and Richard. It’s been so long since Robin was the opener.
Last February, I shared a link right here on Jewschool to a Craigslist ad advertising for models for a “Naughty Jewish Boys” calendar. I was so tickled by the idea when I saw it on my friend Duncan Pflaster‘s Facebook page, I didn’t even realize that he had posted the ad – or that the Jewschool post would bring it widespread Jewish media attention. Fast forward five months, and the calendar is a real thing that exists in the world in two versions: the regular and extra-naughty editions. I sat down with Duncan this week to chat about his adventures in putting these calendars together.
Naturally, the first thing I wanted to know about was what kind of controversy the calendar had generated. Duncan’s run-ins with the creator of the Nice Jewish Guys calendar have been well documented elsewhere, but I had to know: were religious people offended at the images of nearly-naked men with ritual objects? Were liberals offended at a non-Jewish photographer eroticizing or even fetishizing Jewish men? Nope. “Most everybody has thought it’s been a fantastic idea,” he told me, “Especially the Jewish press.” While he did have a couple of people get upset over eroticizing Judaism, the more common response has been from women saying “it’s incredible. Thank you so much for doing this.” More »
Hamas produced a music video in Hebrew singing about terror attacks against Israelis and intended to intimidate them. But the strategy has backfired, as social media-savvy Israelis with their trademark dark humor remixed the catchy tune. Posting to YouTube, Israelis turned murderous lemons into oddly entertaining lemonade, including versions in a capella, acoustic, cartoon, and even animal performers.
The A Capella version (racist headgarb aside):
An eerily fitting Lion King version:
Check out the Smurf, acoustic, parrot, and diningware instrument versions. This collection selected from, of all places, Artuz 7.