Onion gets hacked by Syrian propagandists, responds with funny article. The Onion got hacked, sending out a bunch of nonsense tweets such as:
To which they responded with their usual aplomb. HT BoingBoing
And here’s a kickstarter to translate for what sounds like a completely fascinating book. I can’t wait to read it.
If you can read Yiddish literature only in English translation, Joseph Opatoshu’s 1921 novel, In Poylishe Velder (In The Forests of Poland),is one of the most important works of world literature with which you’re probably unfamiliar. A vast panorama of Jewish life in Poland during the 1850s, Opatoshu’s novel concentrates on backwoods Jews who live among gentile peasants rather than in Jewish communities in cities or shtetlekh. Touching as it does on hasidism, heresy, pre-Christian Polish folk customs, wife-swapping, messianism, and Polish nationalism, this book will change the way you think about Jewish life in Poland. Those parts not set in the forests or on the road take place in the court of the Rebbe of Kotzk, the last of the classical hasidic leaders. The Rebbe and his court are portrayed so convincingly that even members of the book’s original audience often forgot that they were reading a novel and not an intimate history of hasidism in Kotzk. It’s the price that Opatoshu had to pay for writing some of the best prose ever published in Yiddish.
Of course, I consider myself the last of the Kotsker Hasidim, so perhaps it’s just me.
The man made a choice informed by his own views and information on the ground. Anyone hiding behind the “fact” that Israel is only democracy in the Middle East or that Palestinians have it better under Israeli rule or any of the other tired and lame excuses for the vile things being said about a physicist in a wheelchair, should be ashamed of themselves.
Perhaps as opposed to automatically blaming those who have the audacity to stand up and say something — even if it is seen as overbearing, inappropriate, or bias — the American Jewish community could say something about the Palestinians and how as Jews we don’t like the way they are being treated BY OTHER JEWS. I don’t know, that might actually work.
It might be time for a significant change in our approach to dealing with legitimate criticism of Israel. But it has been time for that for the last 15 years.
April 19th, 70 years ago, the Jews in the ghetto rose up against the Nazis. The day before Pesach, the day they were to be deported to certain death, they rose up and fought for as long as they could. The Warsaw Ghetto Uprising was ended on May 16th. I’ve been thinking a lot about it lately, in part because it’s the season, as it were, for remembrance and anniversaries.
I appreciate the extent of knowledge we’ve gained about the Shoah, but revisiting the past with no return to the future makes me uneasy. It ignores history since then, it makes us seem like a people who no longer live and breathe. So today, I wanted to highlight some Kickstarters that are telling the stories of Poland’s Jews, neither ignoring the Shoah nor focusing solely upon it.
In Broken Branches, animator Ayala Sharot tells the story of her grandmother, Michal Rechter. Rechter was sent from Poland to Israel by herself, on the eve of WWII. She never saw her family again. In a mix of line drawing animation, animated scenes, animation adapted photographs and oil paint-glass animations, she tells the story of her grandmother in 25 minutes. Sharot’s work that we see in the trailer is talented and well-suited to how she’s framed the story being told. The project has squeaked into being funded, but still has a few weeks to go.
In Adam Zucker’s documentary The Return, the documentarian takes his skills to Poland. Jewish life is still reviving, defining itself, exploring an identity that stretches into the past, but the future as well. In his project’s description it says “The film tells the very human story of acknowledging the past without being beholden to it.” The women the documentary focuses on are all negotiating identity, in a Jewish community devastated by a war from before they were born. The Return has a few weeks to go as well, but still has more than $25,000 to go. What footage is in the trailer looks like it was shot with a keen eye, and I look forward to seeing where the project goes.
Thank you so much, Raffi, for continuing this conversation with me. I respect the thoughtfulness and passion that you bring to your relationship with Israel.’
I work very hard (as I’m sure you do) to ensure that my halachic practice reflects my values. I am not always successful, but I try. Text helps me explore what my values are, and how they define my practice. Both Masechet Pesachim and Rav Ovadyah Yosef’s teshuva give voice to what many American Jews have forgotten is a possibility: We can live religiously authentic, meaningful Jewish lives without a direct relationship with the modern state of Israel because our redemption is not about Israel.
American Jews and Israeli Jews are, simply, different. Look at central coming-of-age experiences: Non-Chareidi Israelis come into adulthood through military or national service, while (and this is a generalization) the American Jewish coming of age experience involves a college education. Religious American Jews subdivide based on praxis and attitudes towards gender, while religious Israeli Jews subdivide based on praxis and attitudes towards Zionism. With different sets of values, shouldn’t our halachic practice also be different? Neither geographic practice needs to be defined as better or worse. They’re just different. We can use differences in Ashkenazi and Sephardi halacha as a paradigm. Each community defined their practice based on their geographic and sociological norms. We can do the same. Israel should not dictate my religious practice, and vice versa. More »
For almost two decades, my relationship with the Western Wall, or Kotel as it’s known in Hebrew, has been deeply fraught. Having been raised in a religious Zionist family, I was taught as a child to revere “these stones that have the hearts of men” as sacred. But one year, when I was 15 years old, I had an experience at the Wall that changed all that.
It was the holiday of Shavuot and the custom in my hometown of Jerusalem, was for people to stay up all night studying Torah and then walk to the Kotel to pray at dawn. Having participated in an early prayer, I was on my way out of the plaza when I spotted a few dozen non-Orthodox men and women gathered in the parking lot. Before they were able to get very far into their egalitarian service, the group was surrounded by a jeering mob of ultra-Orthodox thugs who yelled insults and threw garbage and dirty diapers at them. I remember standing with the non-Orthodox group in solidarity until the police arrived and forced us to leave.
Today, I am no longer a religious Zionist. For the past four years I’ve been working on a film about the Israeli-Palestinian conflict that has upended the way I think about Israel, Zionism, and my own Jewish identity. Indeed, I now know that the Western Wall plaza is actually the site of a disturbing crime. A mere two days after capturing the Old City of Jerusalem in 1967, the Israeli military approached the residents of the Moroccan quarter, which ended just meters from the Western Wall, and asked them to leave. When they refused, their houses were demolished and they were expelled. More than one hundred Palestinian families were made homeless that day and at least one woman was killed during the demolitions. They were not the first Palestinians to be treated by the State of Israel in this manner and they would not be the last.
In a way, the internal Jewish dispute over who gets to pray at the Kotel is analogous to the Israeli-Palestinian conflict. The logical and just solution is for everyone to be able to share the space equally. But one group claims exclusive rights and uses the violence of the state as a vehicle to maintain its privilege there. The difficulties in achieving a just solution are not practical so much as they are psychological and emotional. Moreover, the problem is not the presence of Orthodox and non-Orthodox worshippers in the same space. The problem is the inequitable orientation of the police toward the two groups.
I’m hopeful that the latest proposal by Natan Sharansky to solve the problem of non-Orthodox prayer at the Kotel will work. After all, most Israelis do recognize that Jews of different stripes have an equal right to pray at the Western Wall. And what a small step it would be to go from that to seeing the other half of the population living between the Jordan and the Mediterranean, along with their brothers and sisters in exile, as having an equal right to share the land. Perhaps it’s time to shift our focus from “the stones with hearts of men,” to “the men with hearts of stone.”
Those who will be cast will be taped for a pilot presentation to be pitched to major networks.
PLEASE NOTE WHICH CHARACTER YOU SEE YOURSELF AS.
Looking for larger than life NY Jews with stereotypical personalities to create a cast for the next great reality series. This is a chance to work with a three-time Emmy award winning director and a top production company.
THE HAGGLER: Wiz in negotiating for anything. Get an extra thousand dollars off your new car purchase…PLUS free car washes for 5 years! Selling your home “The Haggler gets the brokers to kick in some of his fee toward making the deal. Buying a floor model Get it for practically nothing. The Haggler pushes the envelope and then pushes it further. Knows just how far to push before the deal goes sour. (Hairy Israeli type with gold chains, open shirt)
THE BANKER: Expert in investments and accounting. Getting the most deductions on your taxes without raising a red flag. How to invest for your and your children’s futures. Even teaches children how to start saving for their own college education. (Nerdy wimpy accountant type with glasses)
THE BARGAIN-HUNTER: Finds great deals on everything from luxury to low-end items. Expert in Coupons, day-old bread sales, free dinner on your birthday restaurants, two for one specials, doubling the value of your toilet paper, saving money across the board. Even has a diamond guy he wants to hook you up with. (a man or a woman)
THE MOTHER: An opinion on everything, she’s the Yoda for all advice. How to get over a cold, how to bag a man, how to make an excuse to get out of anything, how to make the perfect brisket, and perhaps most importantly, how to feed your family on pennies a day. (Big woman, always dressed up with a brooch and sparkly sequined top. Loud and thick accent, she has a natural humor)
THE PRINCESS: Perhaps the smartest one of all. She’s perfected the way to marry a man to pay for everything. (sexy and well-put together, you’re constantly at odds between wanting to sleep with her or slap her)
Filmmaker Alexander Bodin Saphir presents on the rescue of the Danish Jews at OresundsLimmud 2013
On March 5, our almost-a-minyan who comprise the steering team of Limmud Oresund 2013 was holding the penultimate meeting prior to our second annual Limmud day of Jewish learning and culture. Over 160 people had pre-registered, and we were concerned about logistics: Would there be enough space for a Limmud that had doubled in size since last year? Had we ordered enough food for lunches and snacks? Did Folkuniversitet, an adult education school that was again openomg its facility to us free of chage, have a room large enough for all participants to close out the day together with singing, learning, thanking the volunteers, and tasting the cholent made during a morning session?
Jackie Hoffman, beloved in theatrical circles for her take-no-prisoners approach to musical comedy (sample lyric: “fuck you for asking me to do a show for free! / fuck you and your benefit for charity”), is at once an ideal and a challenging performer for such a series. Undeniably funny and with a deep understanding of Judaism (she’s the black sheep of an Orthodox family), she knows she can draw a typical Jewish audience in with songs criticizing Jewish Buddhists (“Inner peace and joy are overrated / come back to the fold of the most-hated”) and pushy mothers on Manhattan’s Upper West Side. But when her paean to Shavuot includes lines like “Ten Commandments God gave to us so that we won’t sin again / Ten Commandments I break every day by eating pork and Christian men,” you know this isn’t your typical JCC fare.
While the publicity around this series carefully avoided the word “feminism,” I couldn’t help but watch Hoffman’s show and wonder if there was a feminist message to be divined from the woman who counts among her achievements “convincing the Hispanic security guards and bus boys of this city to use condoms” and openly resents the successes of co-stars she deems less deserving.
Jackie Hoffman doesn’t care if you find a feminist message — or any message — in her performances. And that in itself may be the embodiment of a feminist victory.
This is a guest post by Alexander Bodin Saphir, a filmmaker, playwright and current ‘author in residence’ at London’s Great Ormond Street Children’s Hospital.
At last month’s Oscar ceremony both Israeli documentary nominated films — The Gatekeepers and 5 Broken Cameras — which are critical of current Israeli government policy, lost out to Searching for Sugarman. The fact that they lost is not particularly noteworthy (winning an Oscar is even more of a crap-shoot than getting onto the short list).
But what was noteworthy was the response of Limor Livnat, the then Minster for Sports and Culture who was more than happy that neither Israeli nominated film won the coveted Oscar. Admitting to Haaretz ‘that she did not even watch the Oscars award ceremony on Sunday and felt no anxiety about the announcement of the winner in the Best Documentary category. “I was anxious mainly because I wanted Lincoln to win best director,” Livnat said with a grin’.
When four Israeli organisations representing producers, directors, screenwriters and documentarians sent Livnat an open letter of protest she responded with incredulity, “I was shocked by your shock … I, who am opposed to censorship, call on all of you to [conduct] self-censorship. After all, Israel is a democracy to be proud of, but a democracy that is on the defensive, because lined up against 5 Broken Cameras are thousands of families that have been destroyed by Palestinian terror. You do nothing about that − you don’t make movies, you are living in a movie…” (Livnat’s favourite book, according to her Facebook page is George Orwell’s 1984. You can’t make this stuff up!)
And all of this is happening while the Israel Film Council instigate new funding parameters, which the Likud minister hopes will stop the production of Israeli films that “slander the state of Israel before the whole world.”
Forget for a second that Winston Churchill was adamant that “Criticism may not be agreeable, but it is necessary. It fulfills the same function as pain in the human body. It calls attention to an unhealthy state of things.” What is all the hubbub about?
Two sides of the same story?
It’s fascinating that these two films should be released and nominated the same year as although they are two very different kinds of films, they are dealing with similar issues, albeit from contrasting perspectives. More »
I wanted to apply as a coder but I’m not good enough.
So with a sad, sad heart, I’m passing this along to everyone else.
What is Studio G-dcast?
Studio G-dcast is the opportunity to spend six days working at The Contemporary Jewish Museum in San Francisco to adapt some of the funniest, wildest, and most fascinating stories in the Jewish tradition as animated shorts or interactive multimedia experiences.
Residents will work either in animator/storyteller pairs to create their own three minute films, or in hacker/illustrator pairs to create interactive applications. The week is filled with storytelling, animation and coding master classes, studio recording sessions, and expert panels. It’s a turbo-powered growth spurt in filmmaking, app design and Jewish learning. On the last night of the residency, artists will share their works in progress at a public screening at The Contemporary Jewish Museum.
By the way— did we mention the residency’s FREE?
Who Can Apply?
We’re looking for emerging Jewish animators, coders and storytellers currently enrolled as college or graduate students. Storytellers—if you’re a singer/songwriter, novelist, slam poet, playwright, screenwriter, one-person show, or three-ring circus, we’re excited to meet you! Coders-We’re looking for crackerjack hackers who love a pretty algorithm and clean code as much as the next nerd, but still know how to get a job done under pressure. Animators—we’re looking for artists who work in any style (hand-drawn, digital 2D, stop motion, claymation), as long as you can bring your gear with you to San Francisco and can work quickly!
This year, we’re also looking for one coder and one illustrator to pair who will create an original mobile app from their story.
*NOTE: You definitely DO NOT have to be an experienced with Jewish learning or ritual to apply. We’re looking for all kinds of people from all kinds of backgrounds. After all, if you already knew it all, what would be left to learn?
When, Where, and What Else?
This August 11th-16th 2013. That’s Sunday through Friday morning. We’ll be working onsite at The Contemporary Jewish Museum and staying at a nearby hotel. We feed you three kosher meals a day for the duration of the program, and offer a $350 travel stipend to get you to San Francisco from wherever you may be.
When Hava Nagila: The Movie played the Boston Jewish Film Festival last year, I rolled my eyes and opted out of what I assumed would be a twee, cloying tribute to the ubiquitous anthem to American Jewish vapidity.
But when, three weeks into my relocation to New York City, a friend asked me if I wanted to take his second ticket to see it at the Museum of Jewish Heritage, I tried to stifle my skepticism in favor of a night out in my new home.
I was prepared for a nostalgic campfest, and while there was an element of that, the film was also surprisingly moving and educational. I even got a little teary-eyed during the segment with Harry Belafonte. I was surprised to learn the film was created by the team behind the excellent Hannah Szenes documentary, Blessed Is The Match. Director Roberta Grossman and producer Marta Kauffman said that after they completed their Szenes film, both women’s daughters asked them to work on a happier project – hence “Hava Nagila.” And while this is a happier film, it doesn’t shy away from a number of challenging questions about Jewish engagement, the Israel/Diaspora relationship, and the blooming and wilting of various strains of Jewish culture.
The movie begins a national roll-out this week. If it’s playing near you, check it out.
The following is a guest post by Efrem L. Epstein. Efrem is the founder of Elijah’s Journey, an organization focusing on the issues of suicide awareness and prevention in the Jewish community.
For several months now I’ve joked about the potential lawsuit I could file against Matthew Quick, author of the novel “Silver Linings Playbook” from which the film nominated for eight 2013 Oscars is adapted. On first glance, Pat Peoples (renamed “Pat Solitano” in the film) could only be based on me. We’re both die-hard Philadelphia Eagles fans, who took up dancing as a hobby, spent time living in Baltimore, wrestled with issues of life’s purpose and idealized love and battled the demons of depression and won (K’eyn Ayin Hara). In reality, I am hardly the only person in the world who can relate to Pat. Depression affects 350 Million globally and, in the U.S. alone, there are 1,000,000 suicide attempts annually. Many are surprised to learn that reported suicides outnumber homicides by more than a 2:1 ratio (and if one were to account for unreported/unconfirmed suicides the ratio would likely be closer to 3:1). In thanking David O. Russell after her SAG-AFTRA Best Female Actor win, Jennifer Lawrence proclaimed, “You made a movie for your son so that he wouldn’t feel alone, and so that he could feel understood. And I think I can speak on behalf of most of us and say that you helped more than your son. You’ve helped so many sons and daughters, husbands, wives, everybody.”
The positive lessons that can be learned from Silver Linings Playbook are so numerous that at times it feels like an entire social justice curriculum…and a good one at that! Not only does the movie enlighten us about tolerance and acceptance but it also offers some fresh and rich insight on how we as a society can move past many of our stubborn stigmas regarding depression, mental illness and emotional disorders (three cheers for Pat’s character being portrayed as both desirable and dateable even with his demons and flaws). And let’s not forget the lesson about how so many of our personal relationships (romantic, platonic and family) can be improved through more open and honest lines of communication. Silver Linings Playbook has also been a wonderful conversation-starter that has prompted many public figures to further share their own stories. I strongly recommend reading former Congressman Patrick J. Kennedy’s piece from The Daily Beast.
But the movie is especially poignant in my eyes for offering up a “playbook” of sorts for handling life’s curves. Life is, and should be, full of dreams but the dark side of dreams is that they often get shattered! Six months before Pat Solitano appeared on movie screens, Vice President Joe Biden gave many of us in the suicide awareness/prevention movement our own “Jackie Robinson moment.” Recalling the tragic accident which claimed the lives of his daughter and first wife, he recounted, “”For the first time in my life, I understood how someone could consciously decide to commit suicide…because they had been to the top of the mountain and they just knew in their heart they’d never get there again.” As we watch Pat move on from his old dreams to build new ones, we realize a truth of life: Bad things do happen to us and sometimes REALLY bad things happen to us, but even amongst our most shattered dreams there is always a road back to happiness. “Folks, it can and will get better,” Biden told the audience later in his speech.
I know what you’re thinking – you want to refer to the 4 worlds in your Tu Bishvat seder but they’re confusing and…oh, if there were only a song that allowed you to sing through the four worlds (like we sing the order of the Passover seder) so folks could remember the order of the Tu Bishvat seder.
The inspiration for the Stuff Jews Don’t Do Tumblr, according to the person who created it : “Growing up in a Jewish TV-centered home, I often encountered many things or situations in the primetime line-up that were unfamiliar. When I asked my mother why we didn’t eat Thanksgiving in the afternoon or why my brother never had a rat’s tail, her retort was always “Jews don’t do that!”"
Some things “Jews don’t do”: Shop at JC Penney, Drive Pick Up Trucks, Buy Lottery Tickets, Eat Hamburger Helper. This is stuff that runs contrary to what some Jews recognize as being Jewish, or what might be referred to as “”goyishe.” There’s a thread that connects them-mainly that they’re commonly associated with people of a certain class. When I was a kid, we shopped at Kmart (not even a JC Penney!). This might not be true anymore, but then, shopping at Kmart was unforgivable. People would tease you about it until you died, because it meant you were poor, and worse, you were too stupid (obviously as the result of being poor) to front like you didn’t shop at Kmart. The thing was, my family was poor. And we were Jews.
Like I said, a lot of the things listed in this Tumblr have nothing to do with Judaism, they have to do with class, but in addition, there’s also the greatly overlooked fact that, believe it or not, Jews don’t all live on the East and West coasts of the United States. Jews in the South might drive pick up trucks, because in the South, people might do that. Cultural norms exist, and people take them on.
Jews might also make and eat Jello molds, (I can’t believe I just typed that sentence) because maybe they don’t know about kashrut or they don’t care about it, and they think they’re delicious. And just so I keep making it all about me, kashrut was something I didn’t know about until college, because Jewish education is expensive, and I wasn’t around a lot of observant Jews. That’s what happens when you live outside of a Jewish bubble.
Look, I’m pretty sure (I hope) that the point of this Tumblr is to poke fun at the idea that Jews don’t do certain things, but actually it should be called “Stuff Jews Who Aren’t Me or Other Jews I Know Probably Do.” (Also, I’m pretty sure a kugel qualifies as a casserole.)
Now that January is here, and the Israeli election is just a few weeks away, it’s time for… JANUARY MADNESS!!!! You may recall March Madness from 2006, or February Madness from 2009. Now, Jewschool and Mah Rabu are excited to announce our third Israeli elections prediction pool!
How to Enter: Go to the January Madness link and put in your predictions for how many seats each of the 34 parties will win. All predictions must be non-negative integers (0 is allowed), and your predictions must add up to 120. Entrance is free, but there is a suggested donation of $10 to the organization of your choice dedicated to making Israel the best it can be. Israeli citizens are encouraged to vote in the actual election as well.
Prizes: The winner gets a copy of The Comic Torah, which one Jewschool contributor has called “the perfect match for the zany lunacy and unbridled blood lust of today’s Israeli politics”. Second place gets a copy of Ghettoblaster by So Called, because the Yiddish Hip-Hop Accordion Party wouldn’t be out of place in the Knesset elections.
The Rules (for the real election): The 34 parties have submitted ordered lists of candidates. Here are the full lists in Hebrew, and partial lists in English. On election day (January 22), Israeli citizens will go to polling places in and near Israel, and vote for a party (not for individual candidates). All parties that win at least 2% of the vote will win seats in the Knesset, proportional to their share of the vote. For example, suppose the Pirate Party wins 1% of the vote, One Future wins 33%, and Kulanu Haverim wins 66%. Then the Pirate Party wins no seats in the Knesset (since it was below the 2% threshold), and the other parties will proportionally split the 120 Knesset seats: One Future gets 40 seats (so the top 40 candidates on its list are elected), and Kulanu Haverim gets 80 seats. If vacancies arise later in the term, there are no special elections – the next candidate on the party’s list (e.g. #81 on the Kulanu Haverim list) enters the Knesset. It is mathematically possible for all 34 parties to win seats in the Knesset, but experts say it is unlikely.
The Rules (for the January Madness pool): The deadline to enter is Monday, January 21, 2013, at 11:59 pm Israel Standard Time (4:59 pm EST). When the final election results are published, each entry will receive a score based on how many Knesset seats were predicted correctly. For example, suppose the results are as in the above example (Kulanu Haverim 80, One Future 40). I predicted 60 seats for One Future, 50 for Kulanu Haverim, and 10 for Da’am Workers Party. Then my score is 90, since I correctly predicted 40 seats for One Future and 50 seats for Kulanu Haverim.
Ties will be broken based on two tiebreaker questions:
1) Of the parties that do NOT win seats in the Knesset, which will come closest?
2) Which party will get the FEWEST votes?
The tiebreakers will be resolved in this order: exact match on question 1; exact match on question 2; closest on question 1 (if you picked a party that DOES win seats, you’re out of consideration for this one); closest on question 2.
In the coming weeks, we’ll put up a post with a handy guide to all the parties, and links to their websites.
If you have other questions, post them in the comments. Good luck!!!!
This is a guest post by Aryeh Bernstein. Aryeh comes from Chicago, lives in Jerusalem, and works for NY’s Mechon Hadar; in 2011, under the moniker The Branding Iron, he independently released his debut hip-hop album, “A Roomful of Ottomans” with DJ OFn TISh (aka Ori Salzberg).
Oh, word, you like hip-hop, punk, and funk?
Oh, word, you’re looking for fresh Jewish and Arab voices about Israeli/Palestinian life?
Oh, word, you believe that music can be a tool of resistance?
Oh, word, you like hip-hop collectives? Live bands? Crossing gender barriers? Ethnic barriers? Language barriers?
Oh, word, your sweet spot is when the music that makes you dance is also the music that makes you believe?
Word, then you need to check out System Ali.
System Ali breaks it down like this:
Jaffa-based Hip-hop/Punk/Funk band with 10 members: women & men, Jews & Arabs. They rap and sing in Hebrew, Arabic, Russian, & English. They are bursting with humor, anger, irreverence, social commentary, political satire, smart lyrics, edginess, and the music is bangin’. And probably the first hip-hop band ever with an accordion in the line-up. Their remarkable diversity is not just in their ethnic identities, but also in the personalities of the crew. Each member is a unique character, filling his or her own space on the canvass with different energy, like a movie cast. Imagine the Wu-Tang Clan if they also played instruments, skewered exploitative Israeli-Palestinian power structures, and were co-ed.
I love this band aesthetically and I believe in them, to whatever extent I can believe that art matters in building cultures of solidarity, empathy, truth, and celebration, and tearing down systems of discrimination, cynicism, deception, and alienation. System Ali is it and it’s now.
A year ago, Ha’aretz music critic Ben Shalev penned this review, expressing his stunned enthusiasm at having discovered System Ali, praising their energy, character, and message. He closed by expressing disappointment that they did not yet have an album and asserting that “they need to come out with one”.
Well, they’re almost at the finished line on that long-awaited debut album, which I have been eagerly awaiting for quite some time. Music for the people needs help from the people to make it to the people. System Ali’s music does not serve the interests pursued by pop record corporations. The band puts its time into building community centers to mentor young, budding Arab and Jewish musicians, not into kissing up to rich record labels. So they have opened this campaign to crowdsource the last NIS 30,000 (~$7,500) to finish their album.
Jewschoolers — please support System Ali as they take the Middle East back to school musically and culturally. The investment will return to you and then some. Check out their music and their pledge here and buy in.