I’m a secret fan of Food Network’s Chopped, and recently between episodes discovered a weird sister show focused on dessert called Sweet Genius. Its eponymous, singular judge and host is a weird and kooky cross between Willy Wonka and Dr. Evil. Get it- Evil Genius, Sweet Genius? Yeah well the show is filled with the same odd humor… Its pretty ridiculous, but I admit its better than watching Cupcake Boss, whose name doesn’t even have a pun… The show has its fans and deriders, but mostly I think it has addicts to its quirkiness.
There was always something odd about the Sweet Genius himself. His flamboyant style hinted at his being gay, but unless you knew his name is Ron Ben Israel, his Austrian accent never would have outed him as a Tel Aviv born-Jew. Of course, his Viennese mother might have something to do with that, as well as giving him knowledge of delicate European style confections, which appeared in Martha Stewart, Vogue and many food pron books before the New York Times named him “the Manolo Blahnik of cakes.”
In 1999 he opened Ron Ben-Israel Cakes in New York’s SoHo neighborhood with one oven and one mixer. As people fled downtown New York after the 9/11 tragedy, he was able to capitalize on lower rents and expand his operation.
Coming from a secular Israeli upbringing, Ben-Israel wasn’t ideologically interested in making his shop kosher, but for a caterer for some of New York City’s biggest hotels, it was a prudent business decision.
He chose OK Laboratories, the Chabad-affiliated kashrut organization headquartered in Brooklyn, which now certifies his shop’s pareve cakes.
After serving in the IDF in the 70′s , he studied dance and pursued a Ballet career that eventually brought him to NYC, where while working odd jobs to make rent he discovered baking.
In addition to her own distinguished career, Achinoam Nini (aka Noa) has a history of working on behalf of peace and reconciliation. Notably, she has partnered with Israeli-Arab singer Mira Awad, a Christian and resident of Haifa, on a concert tour and as the country’s entrants 2009 entrants into the Eurovision contest. This creative collaboration brought them wide attention around the world, mostly of the positive sort.
On Yom Hazikaron, the acclaimed international Israeli musical artist performed for a gathering of Combatants for Peace, an organization of former fighters and their families on both sides of the Israeli-Palestinian conflict. This recent performance brought on attention of a much uglier, vile sort from extremist corners in Israeli and North American Jewish corners.
Calling her “Garbage” and “Rat” and far worse. They’ve taken to facebook calling for a boycott of Noa’s performances, and Noa has responded.
Jewschool founder Mobius aka Dan Sieradski is part of the panel at this very interesting event at the 14th Street Y on “The Future of Jewish Culture.” A full press kit is here. A quick look at the panel shows it covers not only various sectors but geographies and aims to address a significant amount of ground in an evening:
“After a decade of flourishing Jewish creativity, major Jewish cultural enterprises are being forced to scale
back operations or close entirely. Using recent funding cuts as a springboard to examine the most pressing
issues facing new Jewish arts and culture, “Now What?” addresses:
New perspectives on American Jewish identity
Waning support for quality Jewish art and culture
Strategies for cultivating Jewish art and culture in the future”
May 15, 2012 7pm, 14th Street Y, 344 East 14th Street (between 1st and 2nd Ave.), New York, NY 10003
If you’re in the area and are interested, sign up here. Naturally, this is a subject that deserves and requires significantly more time than a single evening. The need to advocate for, plan and implement a national Jewish Cultural Policy could be the focus of a week long conference with representatives from major communal institutions and umbrella organizations, local presenting arms and various elements from artists and performers to independent organizations. It could also be a great panel to recreate at the General Assembly because the message points need to be heard by people who hold the purse strings and those who put the money in that purse
Michael Dorf has attempted similar efforts at International Jewish Presenters Association Schmooze conferences which tried to create a Jewish SXSW on the heels of the annual APAP Conference. FJC did a bit of planning and even implementation with its New Jewish Culture Network. All of these have been significant achievements but none go far enough. We need buy-in from establishment organizations and entities, these efforts fall short.
As someone who runs a Jewish cultural initiative, I’m very interested in this and am excited that its taking place. I’d be interested to know who’s attending and if any funders or folks from the institutional community will be within earshot. And of course, as a non-New Yorker, I’m glad to see there’s three other regional centers represented on the panel.
Half Jewish Beastie Boy Adam Nathaniel Yauch (aka MCA, aka Nathaniel Hornblower) has passed away after a three year battle with cancer. He was 47. He was a practicing Bhuddist and active in many Tibetan causes. His passing comes a moth after the seminal hip hop act was inducted into the Rock and Roll Hall of Fame. Share your Beastie Boys thoughts in the comments.
Peggy Olsen is shacking up with datingone. Roger Sterling married and is now divorcing one. Don Draper slept with not just one but two. The agency hired one, fired one, and now has hired another.
JEWS! In this season’s premiere, we met Michael Ginsberg, annoying up and comer hired as a copywriter for SCDP because Roger Sterling thinks a new account news a Jew. When Ginsberg arrives home, his immigrant Tateh bentches his son on his getting a new job (dovbear tried dissecting this). Its not the first Jew we’ve met on the show (I always thought Harry Crane might be ‘passing’ after uttering Ganef and Tsuris) but its the first outright Jewish moment since season one.
Following Earth Day it seemed appropriate to share that Academy-ward winning actor Russell Crowe will star in director Darren Aronofsky’s (Black Swan) feature film about the biblical boat builder, Noah. The film will be released spring 2014. Crowe’s depiction of Jewish detective Richie Roberts in American Gangster keeps coming to mind, how he was such an everyman. Now he’ll get to be an ish tzaddik tamim haya b’dorotav(A righteous man in his generation). Exciting. Hunky. Noah. I can’t wait for the musical. I wanna hear Crowe say, “I’m on a boat!”
The news comes on the heels of the quite public demise of another epic on The Maccabees following a biblical meltdown by esrt-while anti Semite Mel Gibson toward his scriptwriter Joe Ezterhaus, who brought us quality films like Showgirls.
“The news prompted the “Basic Instinct” writer to allege in a letter posted by the Wrap that Gibson, who was to produce and possibly direct the film, never wanted to make it because, as Eszterhas said of Gibson, “You hate Jews.”
I have to admit musician Gotye’s hit “Somebody That I Used to Know” has been stuck in my head for a week. And it’s inspired a host of covers and parodies. Below is a tongue in cheek cover of a cover in Hebrew. In it, Roi Lavi and the Good Guys reproduce a six-on-one-guitar cover of the song by Walk Off the Earth. Original videos below the fold.
When recently asked if he detects any Antisemitism among the House Republican caucus, Rep. Eric Cantor answered by not answering, rambling on about the continuing struggle to improve “religious and racial matters” in this country.
“We’ve continued to provide, ya know, equal treatment to everybody,” Cantor remarked. Best of all was his uncomfortable silence when pressed yet again to comment specifically upon his colleagues in the House. See for yourself:
In other news I'm topping the charts over at the Forward: The hed on my piece is 'What Would You Call Me?'
Right. So I wrote this op-ed for the Forward about how I underwent a Conservative conversion because I go to a Conservative shul these days, but I came from a patrilineal Reform background and so forth. And in it I suggested that it’s time for the Conservative movement to start accepting patrilineal descent.
Then the internet discharged platoon after platoon of Jew-baiting Jewish commenters with all kinds of nonsense on their minds. There were also some thoughtful comments and a ton of kind emails from friends and acquaintances.
Here’s one of the emails:
I so wanted to comment on your Forward article, but I simply could not wade into the aggravating mess of Jews baiting each other.
So for his benefit and yours, I waded neck-deep into the muck to pluck out the best of the comments — not only at forward.com, but on Facebook and twitter as well. And I’ll respond to a few too.
[I started writing this post yesterday so there are probably even more comments now that I haven't even looked at.]
JTA has published a new op-ed by me, a response to a piece by some Zionist Organization of America honchos published by JTA earlier this week:
Op-Ed: Title VI should be used only on true hatemongers, not political opponents
By David A.M. Wilensky
NEW YORK (JTA) – In the eyes of the Zionist Organization of America, the most depraved enemies of the Jewish people are obnoxious college campus loudmouths. As the editor of New Voices, a national magazine by and for Jewish college students, I have a different perspective.
The ZOA led the campaign to have discrimination against Jewish students recognized as a violation of Title VI of the Civil Rights Act, originally passed in 1964 to remedy racial discrimination in programs that receive federal funding. But in its charge to circle the Jewish communal wagons, the ZOA has overreached.
ZOA President Morton Klein and Susan Tuchman, director of the group’s Center for Law and Justice, wrote in a JTA Op-Ed that Jewish college students today face “harassment and discrimination at schools receiving federal funding.” The ZOA pitched a six-year fit about it, which the group credits with this triumph: “The U.S. Department of Education’s Office for Civil Rights, or OCR, finally clarified in October 2010 that Jewish students finally would be afforded the same protection” that other minorities have under Title VI.
The ZOA campaign capitalizes on and needlessly exacerbates the Jewish community’s already unwarranted paranoia about what’s happening to our young men and women on campus. As a member of the class of 2011 and as the editor of New Voices, I can say with confidence that there’s never been a better time to walk the halls and lawns of American academia as a Jew.
[...]
If you’re so inclined you can read the rest of it over here at JTA.
And if you’re not tickled by the fact that the ad below appears on the same page as my op-ed, you’re probably dead inside.
I’m a progressive yid, so I’m mostly a fan of Jon Stewart. Mostly. I’m certain that his and Colbert’s rallies in 2010 deprived close east congressional and state level races countless volunteers (I lost 10 volunteers, half of them for the weekend, to attend it) that could’ve helped turn out voters to make the difference in state legislatures that have gone to the crazyville he so ably lampoons. But I enjoy him, a lot, and I have from the time he was cracking wise on MTV’s Remote Control. His legendary takedown of Crossfire I have watched dozens of times. And it’s fun to have such an on point and hilarious member of the tribe go at the insanity that is the news of the day.
Sometimes even our favorite folks swing and miss, and Stewart did big time with “faith/off” his coverage of the convergence of the beginning of Passover and the end of Holy Week on the Daily Show. More »
Its 48 hours before Pesach, and having read ”The Year of Living Biblically”, I’m preparing a lamb to meet its end so that I can smear its blood on the lintel of my door… What’s that? I don’t have to do that? Okay, the neighbors will be so relieved…
I will still have to rid myself of my chametz, however, as I can not possess or own any during Pesach. Before I engage in Bedikas Chametz, the search for chametz, I simply open my pantry- BAM! Bits of cereal at the bottom of the box. Legumes of all shapes and sizes, pasta and so on and so forth. On to the fridge. I half-eaten kugel from last week. Some fruit salad. Cheese slices. Egg Beaters.
Anyone else find themselves snarfing down whatever odds and ends remain the week before Pesach? Some people hate Passover cuisine. After a week of leftover crumbs, I’m ready to tear into Matzah. Whatever is sealed, I sell through a duly appointed process involving a Rabbi, pretzel logic and a certain number of he-goats and zuzim.
Those who do not avail themselves of the Rabbinic end-around of selling it on contract for a week with an option to an agreeable gentile have three options. 1. Keep your chametz and incur the wrath of the almighty and the sneers of neighbors. 2. BURN IT!
WOO HOO! Let’s burn everything in sight! It’s like Black Rock but with Bread! Its PAN-demonium! After all, we wont have another huge bonfire for 40 days when its Lag B’omer so let’s have a Biscuit Inferno! Cue the Music!
But wait, isn’t burning things bad, like crossing streams in ghostbusters? And can’t we do something with that stuff? There may be some excellent items sitting around. A bag of flour. A whole cake. A loaf of bread. Peanut Butter. Perfectly good food. Option 3: Donate.
In the Hagaddah we’re instructed Kol Difcheen- let all who are hungry come and eat. So how about it then? Donate your Chametz. You wont miss it. Fine, keep that bottle of Blanton’s, but the rest? Drop it at your local food pantry. Many congregations have a system set up for this. And in Israel, Modi’in’s Biur Hametz Project is coordinating the distribution of hametz to needy African refugees and migrant workers. That sounds so much more sensible.
It could be given to other as well. In Morocco, it was apparently the custom to give Hametz to one’s Arab or Berber neighbors. The Muslim neighbors would then repay the favor by supplying the pastries for the Mimouna festival at the end of Pesach. Such a healthy symbiotic way to coexist. Maybe that’s fantasy and maybe there’s a broader lesson. But in the interim, donate your your Hametz. To paraphrase Monty Python, BRING OUT YOUR BREAD! (to which the matza replies, I’m not quite bread yet…)
Yes, I know, it is way beyond presumptive for me to think that I might know who you should be reading or what you should be thinking about. It is also way too late for me to indulge in a first person essay in which I, the hero of the essay, find enlightment in this or that seemingly banal object of thought which actually is REALLY IMPORTANT. So instead, I am just going to tell you what to read, what writers and thinkers you might not have come across and as a result the conversation in many Jewish precincts suffers from a certain intellectual paucity and poverty of vision, and then you will, of course do as you please.
First off, Zachary Braiterman, who has recently started writing/publishing at his own blog Jewish Philosophy Place. Start with this one or this one, and then read his latest which is a beat down with Leon Wieseltier over the New American Haggadah.
Next you should read Martin Kavka. One of the smartest thinkers around today. Period. He doesn’t have a regular blog home but publishes here and there. He also writes, you know, books and stuff.
I have linked to a number of articles by Shaul Magid, and will again here—the latest appears in Sh’ma with his inimitable take on the now forgotten crisis of Bet Shemesh.
In the 1920’s, Soviet filmmaker maverick Lev Kuleshov demonstrated how the juxtaposition of distinct, isolated filmed images can suggest psychologically-charged narratives: for example, a shot of a relatively ‘neutral’ gazing face followed by a shot of a bowl of soup leads viewers to understand that the person in the first shot is hungry. This all-important editing technique in cinema routinely forces us to forge narrative meaning and continuity by connecting isolated images and scenarios. It takes a particularly gifted filmmaker to transcend and even reverse such a tendency in the process of creating dramatic tension.
Such a filmmaker is Joseph Cedar, who most recently directed the dark comedy Footnote. At the very start of the film, the audience is required to interpret the context—in this case, the induction ceremony of the Israeli Academy of Arts and Sciences scene—based on the face which confronts us, and not vice versa. Via a tight medium close-up shot, we are introduced to Uriel and Eliezer Shkolnik, a son and father situated side by side amidst the assembled crowd. We later learn that have both spent their professional lives as academics. Uriel ultimately disappears from the frame (as we soon learn, from the off-screen dialogue, to ascend to the podium and accept the honour of his induction to this society), but the camera remains fixed on the singularly disturbed visage of his father. As we watch Eliezer’s almost haunted, blank expression, which suggests a deeply repressed quiet fury, we also listen to Uriel’s acceptance speech, in which he relates an anecdote from his early childhood involving his father. Read or heard in isolation, the speech would most likely appear benign–even gracious. However, as we absorb the tortured, humiliated look of defeat fixed on Eliezer’s face as the camera gradually positions him in the frame’s center throughout this long take, and as we listen to the polite collective laughter punctuating Uriel’s clever moments of public oratory, it is nearly impossible to not interpret the son’s words as anything but the severest cruelty. More »
Hey, y’all. It’s been a while. I’ve been busy having a real job instead of blogging here or at my personal blog. Anyway, this has been crossposted to my new blog at davidamwilensky.com, which you should all go check out.
I tip my hat to Philologos, the pseudonymous author of the Forward’s language column, for two reasons:
In a recent column, he cited a column he wrote in 1998 about an incident in which an Arab Israeli member of the national soccer team declined to sing “Hatikvah,” the Israeli national anthem. In ’98, he wrote that it sucks for Arab Israelis and that he understood their reluctance to sing it. But in ’98 he concluded that there was no way around it. In this more recent column, he admits that he was wrong and….
In this one he reacts to the recent silence of Salim Joubran during the singing of the Israeli national anthem, “Hatikvah,” by going further than the other commentaries I’ve read on the incident; Philologos went so far as to make specific suggestions about how the song could be changed.
So bravo to you, Philologos for admitting you were wrong and for making some nicely conceived suggestions for rectifying the problem of “Hatikvah.”
And with that, let me explain why he’s still wrong this time. As identified by Philologos, the basic problem with “Hatikvah” is contained in this rhetorical: “How, really, can one expect an Israeli Arab to sing about a Jew’s soul stirring for his country?” But I’d go one step further: How can one expect a group with an equally valid claim on the land to sing a national anthem that is a clearly not just an Israeli song, but a Jewish song?
He concludes that “Hativkah” should not “be abandoned for another anthem, or sung to the same tune with new words” because “there’s not point in accommodating the feelings of Arabs by trampling on the feelings of Jews.” Again, I’d go even further, but we’ll come back to that. First, Philologos’ specific problems with “Hatikvah”: More »
This s a guest post by independent filmmaker Eli Ungar-Sargon. His first feature-length film, Cut, is about circumcision and Jewish identity. He is currently in post-production on his second feature length film, A People Without a Land.
When Gilad Atzmon blew through Los Angeles to promote his latest book The Wandering Who?, I knew nothing about him. As I sat down to hear him speak I was handed a flyer by a nervous looking young woman. The flyer declared: “LEVANTINE CENTER HOSTS ANTI-SEMITE” and it furnished a series of Atzmon quotes to support its aspersion. The young woman and knit yarmulka-clad man who were handing these flyers out were politely asked to leave and they did so without protest. As I listened to Atzmon first speak and then perform a few musical numbers on his saxophone, it occurred to me that antisemite or not, I was genuinely interested in what this man had to say.
The Wandering Who? seeks to answer the seemingly simple question: “What do people mean when they call themselves Jews?” Near the beginning of the book, Atzmon makes a foundational tripartite distinction between three kinds of Jews. In the first category are people who follow the Jewish religion. The second contain those who were accidentally born to Jewish parents, but see themselves as human beings. And the third category is “Those who put their Jewish-ness over and above all of their other traits.”
The obvious problem with these categories is that real Jewish people seldom fall into only one of them. I know as many religious Jews who fall into categories 1 and 2 as I do secular Jews who fall into categories 2 and 3. Do their identities contain logical contradictions? Surely they do. But these contradictions do not emerge as a consequence of their Jewish-ness, rather they come from the nature of identity itself. To his credit, Atzmon points out that similar contradictions emerge within feminist and gay identity politics and it could be argued that his categorical distinctions are there for conceptual clarity. Nevertheless, Atzmon includes both ardent Zionists and self-identified Jewish Leftists in his third category, arguing that they belong to the same identity continuum:
“If we redefine Zionism as a modern form of Jewish activism that aims to halt assimilation, we can then reassess all Jewish tribal activity as an internal debate within a diverse Zionist political movement…The Israel lobby and the Alan Dershowitzes of the world are the voices of Zionism; the third-category socialists are there to stop proud, self-hating Jews from blowing the whistle.”
I hope the kid (I guess he’s barely a kid, at 17, although the story reads as though he’s younger) doesn’t keep hiding his Jewishness. Go, young, Jewish, black, Irish-dancer, use the force! Or whatever.
meet Drew Lovejoy, a 17-year-old from rural Ohio. His background could not be more American. His father is black and Baptist from Georgia and his mother is white and Jewish from Iowa. But his fame is international after winning the all-Ireland dancing championship in Dublin for a third straight year.
Apparently Sandra Fluke’s dating a Jewish guy (Bill Mutterperl) is somehow relevant… to something?
“anyone familiar with Boston and New York political history knows about the wealthy Mutterperl family’s long tradition of supporting the typical Jewish variant of socialism.
I wonder if Adam has ever been to a kibbutz.”
As Gawker notes, “These are literally the same Tea Partiers who accused Occupy Wall Street of antisemitism.” -it’s in fact, the same guy: Brooks Bayne
As someone involved with Occupy Judaism and several other variants of Occupy in my native city, how much damn time did I have to spend talking to newspapers about how stupid the accusations of antisemitism were? And yet, people keep defending tea-partiers as misunderstood?
I’m a secret fan of Food Network’s Chopped, and recently between episodes discovered a weird sister show focused on dessert called Sweet Genius. Its eponymous, singular judge and host is a weird and kooky cross between Willy Wonka and Dr. Evil. Get it- Evil Genius, Sweet Genius? Yeah well the show is filled with the same odd humor… Its pretty ridiculous, but I admit its better than watching Cupcake Boss, whose name doesn’t even have a pun… The show has its fans and deriders, but mostly I think it has addicts to its quirkiness.
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