In addition to her own distinguished career, Achinoam Nini (aka Noa) has a history of working on behalf of peace and reconciliation. Notably, she has partnered with Israeli-Arab singer Mira Awad, a Christian and resident of Haifa, on a concert tour and as the country’s entrants 2009 entrants into the Eurovision contest. This creative collaboration brought them wide attention around the world, mostly of the positive sort.
On Yom Hazikaron, the acclaimed international Israeli musical artist performed for a gathering of Combatants for Peace, an organization of former fighters and their families on both sides of the Israeli-Palestinian conflict. This recent performance brought on attention of a much uglier, vile sort from extremist corners in Israeli and North American Jewish corners.
Calling her “Garbage” and “Rat” and far worse. They’ve taken to facebook calling for a boycott of Noa’s performances, and Noa has responded.
Half Jewish Beastie Boy Adam Nathaniel Yauch (aka MCA, aka Nathaniel Hornblower) has passed away after a three year battle with cancer. He was 47. He was a practicing Bhuddist and active in many Tibetan causes. His passing comes a moth after the seminal hip hop act was inducted into the Rock and Roll Hall of Fame. Share your Beastie Boys thoughts in the comments.
Following Earth Day it seemed appropriate to share that Academy-ward winning actor Russell Crowe will star in director Darren Aronofsky’s (Black Swan) feature film about the biblical boat builder, Noah. The film will be released spring 2014. Crowe’s depiction of Jewish detective Richie Roberts in American Gangster keeps coming to mind, how he was such an everyman. Now he’ll get to be an ish tzaddik tamim haya b’dorotav(A righteous man in his generation). Exciting. Hunky. Noah. I can’t wait for the musical. I wanna hear Crowe say, “I’m on a boat!”
The news comes on the heels of the quite public demise of another epic on The Maccabees following a biblical meltdown by esrt-while anti Semite Mel Gibson toward his scriptwriter Joe Ezterhaus, who brought us quality films like Showgirls.
“The news prompted the “Basic Instinct” writer to allege in a letter posted by the Wrap that Gibson, who was to produce and possibly direct the film, never wanted to make it because, as Eszterhas said of Gibson, “You hate Jews.”
When recently asked if he detects any Antisemitism among the House Republican caucus, Rep. Eric Cantor answered by not answering, rambling on about the continuing struggle to improve “religious and racial matters” in this country.
“We’ve continued to provide, ya know, equal treatment to everybody,” Cantor remarked. Best of all was his uncomfortable silence when pressed yet again to comment specifically upon his colleagues in the House. See for yourself:
Twisted Sister frontman Dee Snider will team up with Tony winners Patti LuPone and Bebe Neuwirth, in addition to Broadway veterans Cyndi Lauper, Clay Aiken and more on his new album Dee Does Broadway. The heavy metal singer’s forthcoming album will feature a selection of classic Broadway hits. Dee Does Broadway is set for release on May 8 on the record label Razor & Tie. Snider himself appeared in Broadway’s Rock of Ages, which features music from his band, in the fall of 2010.
New York — Matisyahu, a Jewish kid who “found” Torah Judaism through reggae and lost his ability to trim his facial hair, reported today via Twitter that he shaved.
Jewish News services the world over sent news alerts, alerting their followers that the “musician” who has made a fortune “utilizing” another culture’s music for the “benefit” of the Jewish people shaved.
It would appear that by cleaning himself of his facial hair he has lost his magical powers to assume the musical styling of the Islands as well as his ability to be a role model for other lost Jews.
This modern day Samson story doesn’t end well for this mediocre musician. While reaction is mixed, his blatant abuse of his religion and the plagiarizing of another for his career is most likely over. Few are upset about this, yet there will be many who use this as further proof that young American Jews do not have the same connection to their traditions as previous generations.
[Editor's Note: We cut the rest of this article because it isn't news. For the sake of the holiness code move on. This guy made bad music with lame ass messaging based in a lack-luster Jewish indoctrination education.]
In today’s popular American culture, expecting celebrities often recede from the limelight while pregnant. In her new EP, Beautiful Land, singer/songwriter Chana Rothman actively embraces the opportunity to channel her creative energy into an unforgettable musical journey, specifically during her pregnancy. The result is a celebration of life, brimming with heartfelt empathy, mesmerising grooves, and earthy splendor.
Photo by Elise Warshavsky
In just six tracks, Rothman creates a universe, transporting the listener to a different realm, one in which emotional honesty and whimsical funkiness reign supreme. Rothman’s music resides somewhere between the intersection of pop, folk, and ethnic, but she transcends all of them. As Rothman’s music demonstrates, we live in a thoroughly cosmopolitan, interconnected time, when such designations are essentially irrelevant labels.
The opening track, Shine, offers a life-affirming message to young people, with its light, breezy groove. The title track, Beautiful Land, showcases Rothman’s impressive stylistic and thematic versatility. Inspired by her travels in Jamaica, Rothman wrote this loving, polyrhythmic reggae-infused piece as a tribute to its people. Accented with hints of a West African groove, Beautiful Land conjures up distant times and lands, while insisting on a temporal and spatial immediacy with its hypnotic rhythms and gentle melody.
Of all the pieces on this EP, Inadequate packs in the most nerve and verve, with its brutally honest lyrics, reflecting on body image. Other reviewers likened Rothman’s lyrically-driven Inadequate to Ani DiFranco—and this was my initial association. One could also compare this track to India Arie’s I’m Not My Hair, but Rothman’s upbeat and bluesy piece has much more flavor, political punch, and lyrical colour.
In Come on Home, Rothman shifts gears again, this time offering a poignantly understated elegiac ballad. A modern-day Psalm of sorts, this piece never names the subject of its mourning, but rather evokes a flood of feeling and taps the core of the experience of loss. The following track again radically departs into an entirely different feeling and space. Listening to Baby Do That Dance for Me, one almost expects Django Reinhardt to surface magically and rip into one of his legendary hot jazz guitar solos. This joyful and jazzily ambient piece certainly makes you want to rise to your feet and dance along.
Remember Your Name, the other ballad on this EP, is the final track and mourns the loss of Michael Jackson, while also reflecting on his legacy and memory. Enlisting Soulfarm guitarist C Lanzbom’s help on the slide guitar, this track serves as an apt coda to an album which amply attests to the restorative power of music. Beautiful Land, which is available in stores starting today (and will be available digitally beginning Thursday, December 8), would make a gloriously soulful Hanukkah gift for the music lovers on your list.
'Beautiful Land' cover art: Graphic design by Michelle Nichols; Artwork by Michele Kishita
Two weeks ago, the American-born Israeli journalist, author and commentator Gershom Gorenberg spoke at an event hosted by Mechon Hadar and moderated by Rabbi Shai Held entitled, “How It Broke, How to Fix It: The Crisis of Israeli Democracy.” Gorenberg said, “I’ve seen enough changes happen that weren’t supposed to happen. Politics is not geology. Change happens.” Beside me, a friend whispered, “He is so hopeful.” Gorenberg’s most recent book is The Unmaking of Israel. He is also the author of The Accidental Empire: Israel and the Birth of the Settlements, 1967-1977, The End of Days: Fundamentalism and the Struggle for the Temple Mount, the co-author of The Jerusalem Report’s 1996 biography of Yitzhak Rabin, Shalom Friend, and the editor of Seventy Facets: A Commentary on the Torah from the Pages from the Jerusalem Report. He is a senior correspondent for The American Prospect and has written for The Atlantic Monthly, The New York Times Magazine, The New Republic, Mother Jones and in Hebrew for Ha’aretz. He blogs at southjerusalem.com/gershom-gorenberg/ and lives in Jerusalem.
“Israeli school children do not know where their country starts and ends on a map,” Gorenberg said. “You can interpret the facts however you want, but you still have to have the facts. I don’t want to see Israel unraveling…we can’t ignore the rising role of the Right in the army and the power of settlers.” According to Gorenberg, there are three things necessary to restablish Israeli democracy: The separation of synagogue and state, the graduation from being a national liberation movement to one that takes care of its citizens, and an end to the occupation.
“The social justice marches in September have shaken Israeli politics,” said Gorenberg. “I was a bad prophet, I thought it wasn’t possible.” It’s unclear, however, who’s going to come out of this as a leader. “The fact that I can’t name who the next prime minister will be is not a reason to give up hope…Giving up hope is a luxury, only the people who aren’t in the situation every day can afford to give up hope.”
There were some particularly striking moments during Gorenberg’s talk. The first is the story of a night he spent in the settlement of Yitzhar, located in the West Bank south of the city of Nablus, while interviewing folks living there. In the morning, he was faced with the decision of whether to daven in the settlement shul. “People are saying the same words, but it’s not my religion. They’re not going to mean the same thing.” said Gorenberg, who identifies as “a left-wing, skeptical Orthodox Zionist Jew.” Ultimately, he did decide to pray in the shul, because “I’m not going to give them the pleasure of ceasing to be religious because of their twisted interpretation of Judaism.”
The second moment came with an audience question-What can American Jews do for Israel? (The q/a, by the way, was handled extremely well-index cards were passed around the room and the questions were vetted by Held.) Gorenberg cited Benjamin Netanyahu’s speech in which he declared, “It’s 1938 and Iran is Germany,” which Gorenberg described as “anti Zionist,” in that it portrays Israel as perpetual victim, and dismisses the strength and power it has gained since its inception. “American Jews need to give up idea of a besieged Zionism, but then the question becomes, if we can’t relate to a beleaguered Israel, how do we relate to Israel?” Israel, offered Gorenberg, is suffering from a collective PTSD. “How do you put an entire nation on the couch?” American Jews remind Israelis what it means to actually be living as a minority and what the diaspora experience is. If American Jews want to support Israel, suggests Gorenberg, they should support institutions that work for equal rights for minorities in the country.
Gorenberg also talked about taking part in a recent social justice march in Jerusalem that traveled down Bezalel street through the neighborhood of Nachlaot. “Suddenly, it was 28 years earlier,” he said, recalling another march in 1983 with Peace Now that traveled the same route. During that march, people hurled objects at the marches from the balconies. On the recent march, there was no violence. “Circumstances will force people to change.”
“All the alternatives (to peace) are awful,” concluded Gorenberg, who earlier in the evening said that the words “one state solution” do not go together, “but Israelis don’t have to buy into the Palestinian narrative and vice versa to have a peace agreement.”
In what seems like a development only possible on the satirical pages of the Onion, Mel Gibson’s Icon Productions has just unveiled plans to co-finance a new film about Judah Maccabee, with Joe Eszterhaus of Showgirls fame onboard as screenwriter. This is too good to be true. I mean, who better than Mel Gibson, the man who boldly asserted that Jews are responsible for all wars in the world, to capture the quintessential epic military struggle of Jewish national religious pride versus the lures of assimilation?
In light of this exciting news, I’d like to offer Mr. Gibson some free advice as preparations go underway for this sure-fire blockbuster:
Free Casting Advice to Mel Gibson from a Jewgirl Cinephile:
The first one is a no-brainer: we’re casting Russell Crowe as Matisyahu (if the connection isn’t obvious to you already, here’s a hint: follow the first link and check out 1Maccabees 2:46)
The role of Judah Maccabee is a tough call, but I think our winner is Vincent Gallo.
In his debut dramatic performance, Prince Harry of England will play Jonathan Maccabeus, and comedian Andy Dick will play Simon Maccabeus. John Hyrcanus will be played by Rick Sanchez.
Charlie Sheen needs a role in this cinematic masterpiece as well. Let’s cast him as Eleazer Maccabeus.
We’re going to offer the role of Antiochus to Mahmoud Ahmadinejad—an offer he surely can’t turn down.
Oh, and wardrobe will definitely be by John Galliano.
Well, time will only tell what choices Gibson will make, but if he sticks to my above plan, we’re going to have something even greater than The Passion of the Christ (2004). Or, as Reb Yudel puts it, “If Gibson’s Hanukkah film succeeds, can his Tisha b’Av blockbuster be far behind?”
Incidentally, I vividly recall dragging a date to a Sunday matinee screening of his last Jew epic in 2004. We paid for two tickets to see Dirty Dancing: Havana Nightsin the hopes that our tickets wouldn’t profit Gibson’s film, but later, a friend in the industry explained to me that films only benefit from concession stand money, not from actual ticket sales. Alas. The film itself wasn’t particularly noteworthy, aside from its curious subtitling choices. While Gibson promised to cut out any direct implication of the Jews in Jesus’ crucifixion, the English subtitling did not always match the Aramaic dialogue onscreen. (I attended a high school which forced us to learn Aramaic. Now on facebook, I smugly resent that under the languages option, there is an “Aramaic of Jesus” and not also an ‘Aramaic of Rabban Gamliel.”) We, along with busloads of young Christian children, some of whom were as young as four years old, proceeded to watch what amounted to two full hours of Jesus being beaten to a bloody pulp. ::Spoiler alert:: Jesus is killed.
According to press reports, Dick Cheney’s memoir, set to be released this week, is one long exercise is not regretting any decision he made while serving as Vice-President of the United States. This is a shame. The first step in teshuvah, repentance, is recognizing the wrongs that one has committed. Cheney, rather, articulates his continued support for interrogation tactics, including waterboarding, extremes of heat and cold, sleep deprivation, long-term isolation, sensory deprivation and stress positions. It’s clear he will continue to defend his authorization of such torture and has no remorse for the criminal acts of torture he authorized. Cheney could have helped in the effort to repair the harms caused by torturing prisoners by expressing some regret for his actions. He has not.
The rest of the piece is here. After you read it, come back and comment.
Last night, I attended a gala celebrating Storahtelling. And it was great*.
If you’re not familiar with Storahtelling, they’re a ritual theatre company, focusing on bringing the Torah, and Judaism, to wider audiences, making it more accessible and relevant today. I didn’t crib that from their mission statement, so allow me to excerpt it here:
Storahtelling restores the Torah Service to its original stature through a revival of the lost craft of the Maven, the traditional storyteller who translated the Hebrew Torah into local language. Rooted in biblical text and ritual practice, Storahtelling uses dramatized interpretations, traditional chanting, orginal music and live interaction to bring Bible off the page and onto the global stage.
The event was great, celebrating Storahtelling’s “b mitzvah,” which, as founding director Amichai Lau-Levie explained, is a “bar mitzvah, a bat mitzvah, a b mitzvah inclusive celebration for all genders.” And what a b mitzvah it was! Storahtelling turned 13, honoring their founding director, their incoming executive director and members of the board.
But what’s a b mitzvah without a little Torah? Jackie Hoffman, Jewish actress and comedian extraordinaire, studied with the Storahtelling staff, learning the Torah parsha that would have been her bat mitzvah parsha when she was a girl (raised Orthodox, Jackie didn’t have the option). She tackled a topic that many shy from: the rape of Dinah.
She broke the story up, making it more palatable, relevant and interesting. She interspersed chanting and discussion – with a healthy dose of humor, of course. (Amichai gave the English translations to Jackie’s Torah chanting on the fly.)
With more than a little (much appreciated) feminism flavoring her words, Jackie gave voice to Dinah. Dinah, the central character of this story, does not have any of her own words in the Bible. So Jackie, channeling Dinah, asked why the women of the Bible were too often chattel, to be swamped and shared amongst the men. She set the scene: Dinah had “two Jewish mothers. Think about that for a moment. And 12 stinky brothers.” She asked why Dinah’s mother was so willing to marry Dinah to the man who had raped her. (“Was she so desperate to see her daughter married, she’d ok a man who would defile her? Oh wait, that’s my mother!”) And she might have relished in her telling of the circumcisions of the men of Shechem: “They were in penis pain for three days!”
But it was an impromptu statement after she finished (and after she accepted her present from the “Sisterhood,” two gay Storahtelling staff) that summarized Storahtelling’s work so perfectly: “I’m a person who hates everything, and I dug this experience hard.”
And that’s just it. For Jackie, it was about bringing in some feminism, giving voice to the silent and suffering Dinah, and wrapping it all up in some jokes. For others, it might be highlighting gay characters or interfaith families, placing the Torah stories in contemporary settings, drawing and singing and acting the stories… bringing them to life. If you have the chance to get to a Storahtelling event], I highly recommend it.
*The only thing that would have made this night better? Had I gotten my photo taken with the hilarious Jackie Hoffman. And had she performed her Shavuot song, just for me.
Briefly: Playwright and cultural icon Tony Kushner was kicked off the list of honorees and John Jay College because Jeffrey Weisenfeld is Captain McWitchHunt. Fascinating. Here’s hoping someone throws water on JW so that he melts into a steaming puddle of vindictive intolerance. (h/t MondoWeiss )
Tony Kushner
c/o Heat & Light Co., Inc.
cc: President Jeremy Travis
The faculty and students of John Jay College of Criminal Justice
899 Tenth Avenue New York, NY, 10019
May 4, 2011
To Chairperson Benno Schmidt and the Board of Trustees:
At the May 2 public meeting of the CUNY Board of Trustees, which was broadcast on CUNY television and radio, Trustee Jeffrey S. Weisenfeld delivered a grotesque caricature of my political beliefs regarding the state of Israel, concocted out of three carefully cropped, contextless quotes taken from interviews I’ve given, the mention of my name on the blog of someone with whom I have no connection whatsoever, and the fact that I serve on the advisory board of a political organization with which Mr. Weisenfeld strongly disagrees. As far as I’m able to conclude from the podcast of this meeting, Mr. Weisenfeld spoke for about four minutes, the first half of which was a devoted to a recounting of the politics of former President of Ireland and UN Human Rights High Commissioner Mary Robinson that was as false as his description of mine.
Ms. Robinson, however, was not on public trial; I was, apparently, and at the conclusion of Mr. Weisenfeld’s vicious attack on me, eight members voted to approve all the honorary degree candidates, including me, and four voted to oppose the slate if my name remained on it. Lacking the requisite nine votes to approve the entire slate, the Board, in what sounds on the podcast like a scramble to dispense with the whole business, tabled my nomination, approved the other candidates, and adjourned. Not a word was spoken in my defense. More »
Over the past several years, we have seen quite a number of Jewish or pseudo-Jewish practices picked up by non-Jews. While this isn’t exactly a novel occurrence – Christians sort of invented it with the creation of their new religion not quite two millenia ago, and Christian “Passover seders” of various sorts have been going on for some number of decades- it’s worth considering how Jews should react to the “democratization” of Jewish practices.
Whether it’s the pseudo-Jewish kabbalah center (whose practices misrepresent kabbalah quite a huge amount) and its superstitious practices, or Justin Bieber saying the Shema before concerts, we can expect to see more of this kind of thing.
To a certain extent, a certain amount of syncretism is inevitable. More »
In the great tradition of Jewish lawyers defending Nazis and Nazi sympathizers (such as the infamous Supreme Court case involving neo-Nazis marching in Skokie, IL in the late 1970s), turns out that the most recent source of drunken and/or drug induced anti-Semitic rants (in the great tradition of Mel Gibson and Charlie Sheen), fashion designer John Galliano, has got himself a Jewish lawyer–to be fair, according to the interview linked below, he has been his lawyer for the last seven years.
YNet has published an interview with the Galliano’s lawyer, Stephane Zerbib, who has apparently received threats because representing the former top designer of Christian Dior. You can see the video of the clearly drunken and rather despicable rant at the HuffPost.
My favorite gem from the interview comes right at the beginning.
Your client is accused of making rather harsh anti-Semitic comments. What is your explanation for this?
“I have no explanation. It could happen to any one of us. Anyone can go to a bar, drink a little and get into a fight with someone.”
Yes. It could happen to any one of us. You walk into a bar, become obliterated drunk while under the influence of prescription drugs and then tell the people next to you that you wish Hitler had killed them… Happens all the time.
My personal opinion, for what it’s worth, is that Galliano’s comments are unforgivable and despicable. Not to mention, in the greatest sense of irony, as a homosexual and self-proclaimed “gipsy” (apparently very publicly) he too would have fallen victim (twice) to the egregious and murderous crimes of the Nazi regime. However, I also think it wrong for people to be threatening his lawyer. Justice is justice, and lawyers take an oath to uphold justice; not to pick and choose which parts of the law to uphold. All the more so I find it acceptable for Zerbib to represent Galliano if they have had a professional relationship for nearly a decade.
Ultimately, anti-Semitic sentiment (drunken or sober) will not be eradicated because Jewish lawyers refuse to represent anti-Semites. Again, justice is justice and in free and democratic societies all people have the right to fair representation in court. Plus, if Galliano’s lawyer is going to make arguments in court such as the one quoted above–that any one of us could, in a drug and alcohol induced state, proclaim our love for Hitler–well, I think we can feel comfortable in how this case will go.
First of all, let’s just set aside for a moment the ridiculousness of mentioning Islamic extremists in every other breath – really, I have to say (I never thought I’d defend Beck in any way whatsoever) that really, his comments weren’t about Reform Jews being terrorists. While his comments were completely inane, his point was that Reform Jews are primarily a political organization rather than a religious one. How many ways this is a stupid comment leaves me gasping, but it’s not what most people seem to have taken it as – i.e. a claim that Reform Jews are terrorists.
However, the level of stupidity remains pretty high: More »
I’ve been into Cee-Lo for a long time now. I grew up on a steady diet of Goodie Mob cereal, and it wasn’t before long that that mid-90s southern hip hop twisted my brain for good. After devouring Jewish race literature, it was safe to say that ‘being Jewish’ became something like a form of James Weldom Johnson-style race-conciousness. Now, some years later, I see Cee-Lo, a talented wordsmith, is a haute-pop artist wearing peacock feathers in duets with Gwyneth Paltrow. Whither the ikar of Double-Consciousness.
Cee-Lo Green’s recent performance at the Grammys seemed Jewish insofar as its melodies made me think that my mother had once danced to this in the smoky parts of Hell’s Kitchen.
Cee-Lo co-wrote the song, and one of his collaborators is a 25 year old by the name of Ari Levine. Part of a group of songwriters, musicians and producers named The Smeezingtons, Teaneck High School dropout Ari Levine (no word yet on his Hebrew name) also worked with Matisyahu and various other pop outfits currently hot in the land. Born into the Conservative Movement, he seems to stand outside all these current debates about the innovation within. I like that, o ghost of Max Fleischer.
I will not twist Mr. Beck’s brilliance to say anything besides what he said:
“Reformed rabbis are generally political in nature. It’s almost like Islam, radicalized Islam in a way, to where it is just — radicalized Islam is less about religion than it is about politics. When you look at the reform Judaism, it is more about politics. I’m not saying that they’re the same on … and they’re going to take it at that, but — stand in line.”
I will not take it “that way”…I will take it at face value. My religious experience is all about politics. Nothing to do with God, Israel (people and land) or Torah. Nope, nothing what-so-ever. More »
I know everyone wishes that we’d just stop talking about thisalready and technically, what I’m about to mention isn’t strictly a Jewish matter, but there was an interesting link on BoingBoing this morning regarding reporting on the sexuality of, let us say, well-known figures (since the person mentioned there isn’t precisely what one might think of as a celebrity).
The point being made is that it’s not quite as simple as whether or not one’s sexuality is a private matter – rather that by agreeing to not discuss it, “the press” is actually enforcing the idea that gay sexuality is bad, that the very hint of a partner of the same sex is akin to pornography and is a discussion of sex, rather than simply talking about normal and natural parts of an individual’s life – and in fact, in my opinion, that’s exactly how the conversation about Debbie Friedman shook out: dlevy expressed sadness that she hadn’t been able to live her life in a way that everyone else (straight) does, where she talked about her family (partner) held hands in public, etc, and everyone else started screaming about how she has the right to keep her sex life private and who cares as long as she doesn’t scare the horses in the street,which was precisely missing the point. The original post is here, but IMO BoingBoing sums it up clearly and nicely.
Over the past several years, we have seen quite a number of Jewish or pseudo-Jewish practices picked up by non-Jews. While this isn’t exactly a novel occurrence – Christians sort of invented it with the creation of their new religion not quite two millenia ago, and Christian “Passover seders” of various sorts have been going on for some number of decades- it’s worth considering how Jews should react to the “democratization” of Jewish practices. 
follow us on Twitter
follow us on Facebook
subscribe to our email