The man made a choice informed by his own views and information on the ground. Anyone hiding behind the “fact” that Israel is only democracy in the Middle East or that Palestinians have it better under Israeli rule or any of the other tired and lame excuses for the vile things being said about a physicist in a wheelchair, should be ashamed of themselves.
Perhaps as opposed to automatically blaming those who have the audacity to stand up and say something — even if it is seen as overbearing, inappropriate, or bias — the American Jewish community could say something about the Palestinians and how as Jews we don’t like the way they are being treated BY OTHER JEWS. I don’t know, that might actually work.
It might be time for a significant change in our approach to dealing with legitimate criticism of Israel. But it has been time for that for the last 15 years.
The following is a guest post by Efrem L. Epstein. Efrem is the founder of Elijah’s Journey, an organization focusing on the issues of suicide awareness and prevention in the Jewish community.
For several months now I’ve joked about the potential lawsuit I could file against Matthew Quick, author of the novel “Silver Linings Playbook” from which the film nominated for eight 2013 Oscars is adapted. On first glance, Pat Peoples (renamed “Pat Solitano” in the film) could only be based on me. We’re both die-hard Philadelphia Eagles fans, who took up dancing as a hobby, spent time living in Baltimore, wrestled with issues of life’s purpose and idealized love and battled the demons of depression and won (K’eyn Ayin Hara). In reality, I am hardly the only person in the world who can relate to Pat. Depression affects 350 Million globally and, in the U.S. alone, there are 1,000,000 suicide attempts annually. Many are surprised to learn that reported suicides outnumber homicides by more than a 2:1 ratio (and if one were to account for unreported/unconfirmed suicides the ratio would likely be closer to 3:1). In thanking David O. Russell after her SAG-AFTRA Best Female Actor win, Jennifer Lawrence proclaimed, “You made a movie for your son so that he wouldn’t feel alone, and so that he could feel understood. And I think I can speak on behalf of most of us and say that you helped more than your son. You’ve helped so many sons and daughters, husbands, wives, everybody.”
The positive lessons that can be learned from Silver Linings Playbook are so numerous that at times it feels like an entire social justice curriculum…and a good one at that! Not only does the movie enlighten us about tolerance and acceptance but it also offers some fresh and rich insight on how we as a society can move past many of our stubborn stigmas regarding depression, mental illness and emotional disorders (three cheers for Pat’s character being portrayed as both desirable and dateable even with his demons and flaws). And let’s not forget the lesson about how so many of our personal relationships (romantic, platonic and family) can be improved through more open and honest lines of communication. Silver Linings Playbook has also been a wonderful conversation-starter that has prompted many public figures to further share their own stories. I strongly recommend reading former Congressman Patrick J. Kennedy’s piece from The Daily Beast.
But the movie is especially poignant in my eyes for offering up a “playbook” of sorts for handling life’s curves. Life is, and should be, full of dreams but the dark side of dreams is that they often get shattered! Six months before Pat Solitano appeared on movie screens, Vice President Joe Biden gave many of us in the suicide awareness/prevention movement our own “Jackie Robinson moment.” Recalling the tragic accident which claimed the lives of his daughter and first wife, he recounted, “”For the first time in my life, I understood how someone could consciously decide to commit suicide…because they had been to the top of the mountain and they just knew in their heart they’d never get there again.” As we watch Pat move on from his old dreams to build new ones, we realize a truth of life: Bad things do happen to us and sometimes REALLY bad things happen to us, but even amongst our most shattered dreams there is always a road back to happiness. “Folks, it can and will get better,” Biden told the audience later in his speech.
The result is Wake the f**k up, a new video reminding us to vote (for Obama) that is getting a lot of attention and play on the youtubes.
I don’t personally feel it any great accomplishment of craft or cleverness, but is noteworthy in that JCER is now officially a Super PAC, has funding from George Soros and is using its funding to offer campaigns rooted in Jewish culture as a counterpoint to the Adelson cash flooding the election. Its also noteworthy in that it is circulating virally (voluntarily) rather than mass-cast on the airwaves. Its not Ezekial 25:17, but it has about the same amount of profanity (you have been warned) and is just as entertaining.Watch it here.
Asked whether Tel Aviv had any “personal significance” to him as a choice of venue for Lollapalooza, Ferrell gazed as he struggled to give a non-committal response, “Let’s just say that I think that it’s a place that needs good music. It deserves it, it demands it, and so it shall be.” Elsewhere he has cited Tel Aviv’s geography, lack of an international festival or a curfew… Very nice, but is that all?
Indie Rocker and Jewish Day School Alumna Regina Spektor
As those of you who have been following this season’s America’s Got Talent and/or have read my previous post know, one of the most promising contenders in the show is a religious Jew who is a singer. Not only that, but he is an incoming freshman at the Jewish high school I attended. Curious if any ICJA alumni before have ever enjoyed success and fame as popular musicians, I did some searching but could not find anything. To my knowledge, the only music icon to have graduated from ICJA was Disturbed front man David Draiman (who first spent some time at the Wisconsin Institute of Torah Study, WITS, and Torah Valley High in California).
I then expanded my search to include alumni rockers from any major Jewish day school in the U.S., the U.K., Canada, and Australia. (Incidentally, this search revealed volumes about the institutional identities of the individual schools. While some schools mention Nobel Prize winners and Rhodes Scholars among their graduates, others mention only male ‘notable alumni,’ and some only rabbis, major Jewish community leaders, and mega-machers. And some even mention convicted murderers. I’m looking at you, Charles E Smith Jewish Day School.) Interestingly, the rock star Jew-school grads hail disproportionately from Orthodox day schools. Care to interpret?
Anyway, on to the challenge (answers after the ‘more,’ but no peeking!):
which of these famous musicians attended which of these Jewish Day Schools? Hint: two or more may have attended the same school
Lest there be any doubt in your minds, Skokie, IL is the bastion of cool these days. Jewschool’s very own Adam Davis just moved there, I grew up there, and…oh yeah, the likely winner of this season’s America’s Got Talent hails from there too.
AGT Contestant and Skokie native Edon Pinchot, 14
Singing sensation AGT finalist Edon Pinchot is 14 years old and about to start high school at Chicago’s Ida Crown Jewish Academy this coming fall. He and his family live just blocks from my parents (who are long-time friends of his grandparents), and his parents are pillars of the orthodox Jewish community there. I remember his mother, Laurie—an exquisitely refined, thoughtful woman, from the Skokie Women’s Tefilla Group which I regularly attended in my pre-adolescent years. The rest of the family are also substantial folks who excel at what they do. More »
The other day Frum Satire shared some pictures from Matisyahu’s Instagram under the heading “Matisyahu posts pictures of himself without a kippah,” lamenting the potential loss of a famous frum role model. There’s been a fair amount of back-channel chatter about what it might mean for Matisyahu — who’s already had to issue statements about shaving his beard and dropping his customary 17th Century Polish garb back in December — to be “off the derech” (moving away from Orthodox practice). Unfortunately, most of that search for meaning has been focused around “what does it mean for us” — with a bunch of different people putting themselves in that “us” category — and not enough thinking about what it might mean for him.
Many of us (and here, I mean “us” the writers and readers of Jewschool) have struggled with what we want our own Jewish observance to look and feel like, and many of us have had to do that in some kind of public sphere as leaders in our own tiny corners of the Jewish world. We know how much that sucks, and therefore how much more that sucks for Matis. Whatever you think about his music and whether or not his religious presentation helped his career, going through this kind of searching sucks even when you’re not a public figure and therefore all the much more so when you are.
If we really must find a way to make meaning for ourselves out of Matisyahu’s own personal journey, we can affirm what we all know, that Jewish living is, well, a life-long pursuit and not a static destination. And perhaps Matisyahu can be a positive role model in that way. And when he has another single or album to review, we can deal with whether or not his music is any good, regardless of the costume.
In addition to her own distinguished career, Achinoam Nini (aka Noa) has a history of working on behalf of peace and reconciliation. Notably, she has partnered with Israeli-Arab singer Mira Awad, a Christian and resident of Haifa, on a concert tour and as the country’s entrants 2009 entrants into the Eurovision contest. This creative collaboration brought them wide attention around the world, mostly of the positive sort.
On Yom Hazikaron, the acclaimed international Israeli musical artist performed for a gathering of Combatants for Peace, an organization of former fighters and their families on both sides of the Israeli-Palestinian conflict. This recent performance brought on attention of a much uglier, vile sort from extremist corners in Israeli and North American Jewish corners.
Calling her “Garbage” and “Rat” and far worse. They’ve taken to facebook calling for a boycott of Noa’s performances, and Noa has responded.
Half Jewish Beastie Boy Adam Nathaniel Yauch (aka MCA, aka Nathaniel Hornblower) has passed away after a three year battle with cancer. He was 47. He was a practicing Bhuddist and active in many Tibetan causes. His passing comes a moth after the seminal hip hop act was inducted into the Rock and Roll Hall of Fame. Share your Beastie Boys thoughts in the comments.
Following Earth Day it seemed appropriate to share that Academy-ward winning actor Russell Crowe will star in director Darren Aronofsky’s (Black Swan) feature film about the biblical boat builder, Noah. The film will be released spring 2014. Crowe’s depiction of Jewish detective Richie Roberts in American Gangster keeps coming to mind, how he was such an everyman. Now he’ll get to be an ish tzaddik tamim haya b’dorotav(A righteous man in his generation). Exciting. Hunky. Noah. I can’t wait for the musical. I wanna hear Crowe say, “I’m on a boat!”
“The news prompted the “Basic Instinct” writer to allege in a letter posted by the Wrap that Gibson, who was to produce and possibly direct the film, never wanted to make it because, as Eszterhas said of Gibson, “You hate Jews.”
When recently asked if he detects any Antisemitism among the House Republican caucus, Rep. Eric Cantor answered by not answering, rambling on about the continuing struggle to improve “religious and racial matters” in this country.
“We’ve continued to provide, ya know, equal treatment to everybody,” Cantor remarked. Best of all was his uncomfortable silence when pressed yet again to comment specifically upon his colleagues in the House. See for yourself:
Twisted Sister frontman Dee Snider will team up with Tony winners Patti LuPone and Bebe Neuwirth, in addition to Broadway veterans Cyndi Lauper, Clay Aiken and more on his new album Dee Does Broadway. The heavy metal singer’s forthcoming album will feature a selection of classic Broadway hits. Dee Does Broadway is set for release on May 8 on the record label Razor & Tie. Snider himself appeared in Broadway’s Rock of Ages, which features music from his band, in the fall of 2010.
New York — Matisyahu, a Jewish kid who “found” Torah Judaism through reggae and lost his ability to trim his facial hair, reported today via Twitter that he shaved.
Jewish News services the world over sent news alerts, alerting their followers that the “musician” who has made a fortune “utilizing” another culture’s music for the “benefit” of the Jewish people shaved.
It would appear that by cleaning himself of his facial hair he has lost his magical powers to assume the musical styling of the Islands as well as his ability to be a role model for other lost Jews.
This modern day Samson story doesn’t end well for this mediocre musician. While reaction is mixed, his blatant abuse of his religion and the plagiarizing of another for his career is most likely over. Few are upset about this, yet there will be many who use this as further proof that young American Jews do not have the same connection to their traditions as previous generations.
[Editor's Note: We cut the rest of this article because it isn't news. For the sake of the holiness code move on. This guy made bad music with lame ass messaging based in a lack-luster Jewish indoctrination education.]
In today’s popular American culture, expecting celebrities often recede from the limelight while pregnant. In her new EP, Beautiful Land, singer/songwriter Chana Rothman actively embraces the opportunity to channel her creative energy into an unforgettable musical journey, specifically during her pregnancy. The result is a celebration of life, brimming with heartfelt empathy, mesmerising grooves, and earthy splendor.
Photo by Elise Warshavsky
In just six tracks, Rothman creates a universe, transporting the listener to a different realm, one in which emotional honesty and whimsical funkiness reign supreme. Rothman’s music resides somewhere between the intersection of pop, folk, and ethnic, but she transcends all of them. As Rothman’s music demonstrates, we live in a thoroughly cosmopolitan, interconnected time, when such designations are essentially irrelevant labels.
The opening track, Shine, offers a life-affirming message to young people, with its light, breezy groove. The title track, Beautiful Land, showcases Rothman’s impressive stylistic and thematic versatility. Inspired by her travels in Jamaica, Rothman wrote this loving, polyrhythmic reggae-infused piece as a tribute to its people. Accented with hints of a West African groove, Beautiful Land conjures up distant times and lands, while insisting on a temporal and spatial immediacy with its hypnotic rhythms and gentle melody.
Of all the pieces on this EP, Inadequate packs in the most nerve and verve, with its brutally honest lyrics, reflecting on body image. Other reviewers likened Rothman’s lyrically-driven Inadequate to Ani DiFranco—and this was my initial association. One could also compare this track to India Arie’s I’m Not My Hair, but Rothman’s upbeat and bluesy piece has much more flavor, political punch, and lyrical colour.
In Come on Home, Rothman shifts gears again, this time offering a poignantly understated elegiac ballad. A modern-day Psalm of sorts, this piece never names the subject of its mourning, but rather evokes a flood of feeling and taps the core of the experience of loss. The following track again radically departs into an entirely different feeling and space. Listening to Baby Do That Dance for Me, one almost expects Django Reinhardt to surface magically and rip into one of his legendary hot jazz guitar solos. This joyful and jazzily ambient piece certainly makes you want to rise to your feet and dance along.
Remember Your Name, the other ballad on this EP, is the final track and mourns the loss of Michael Jackson, while also reflecting on his legacy and memory. Enlisting Soulfarm guitarist C Lanzbom’s help on the slide guitar, this track serves as an apt coda to an album which amply attests to the restorative power of music. Beautiful Land, which is available in stores starting today (and will be available digitally beginning Thursday, December 8), would make a gloriously soulful Hanukkah gift for the music lovers on your list.
'Beautiful Land' cover art: Graphic design by Michelle Nichols; Artwork by Michele Kishita
Two weeks ago, the American-born Israeli journalist, author and commentator Gershom Gorenberg spoke at an event hosted by Mechon Hadar and moderated by Rabbi Shai Held entitled, “How It Broke, How to Fix It: The Crisis of Israeli Democracy.” Gorenberg said, “I’ve seen enough changes happen that weren’t supposed to happen. Politics is not geology. Change happens.” Beside me, a friend whispered, “He is so hopeful.” Gorenberg’s most recent book is The Unmaking of Israel. He is also the author of The Accidental Empire: Israel and the Birth of the Settlements, 1967-1977, The End of Days: Fundamentalism and the Struggle for the Temple Mount, the co-author of The Jerusalem Report’s 1996 biography of Yitzhak Rabin, Shalom Friend, and the editor of Seventy Facets: A Commentary on the Torah from the Pages from the Jerusalem Report. He is a senior correspondent for The American Prospect and has written for The Atlantic Monthly, The New York Times Magazine, The New Republic, Mother Jones and in Hebrew for Ha’aretz. He blogs at southjerusalem.com/gershom-gorenberg/ and lives in Jerusalem.
“Israeli school children do not know where their country starts and ends on a map,” Gorenberg said. “You can interpret the facts however you want, but you still have to have the facts. I don’t want to see Israel unraveling…we can’t ignore the rising role of the Right in the army and the power of settlers.” According to Gorenberg, there are three things necessary to restablish Israeli democracy: The separation of synagogue and state, the graduation from being a national liberation movement to one that takes care of its citizens, and an end to the occupation.
“The social justice marches in September have shaken Israeli politics,” said Gorenberg. “I was a bad prophet, I thought it wasn’t possible.” It’s unclear, however, who’s going to come out of this as a leader. “The fact that I can’t name who the next prime minister will be is not a reason to give up hope…Giving up hope is a luxury, only the people who aren’t in the situation every day can afford to give up hope.”
There were some particularly striking moments during Gorenberg’s talk. The first is the story of a night he spent in the settlement of Yitzhar, located in the West Bank south of the city of Nablus, while interviewing folks living there. In the morning, he was faced with the decision of whether to daven in the settlement shul. “People are saying the same words, but it’s not my religion. They’re not going to mean the same thing.” said Gorenberg, who identifies as “a left-wing, skeptical Orthodox Zionist Jew.” Ultimately, he did decide to pray in the shul, because “I’m not going to give them the pleasure of ceasing to be religious because of their twisted interpretation of Judaism.”
The second moment came with an audience question-What can American Jews do for Israel? (The q/a, by the way, was handled extremely well-index cards were passed around the room and the questions were vetted by Held.) Gorenberg cited Benjamin Netanyahu’s speech in which he declared, “It’s 1938 and Iran is Germany,” which Gorenberg described as “anti Zionist,” in that it portrays Israel as perpetual victim, and dismisses the strength and power it has gained since its inception. “American Jews need to give up idea of a besieged Zionism, but then the question becomes, if we can’t relate to a beleaguered Israel, how do we relate to Israel?” Israel, offered Gorenberg, is suffering from a collective PTSD. “How do you put an entire nation on the couch?” American Jews remind Israelis what it means to actually be living as a minority and what the diaspora experience is. If American Jews want to support Israel, suggests Gorenberg, they should support institutions that work for equal rights for minorities in the country.
Gorenberg also talked about taking part in a recent social justice march in Jerusalem that traveled down Bezalel street through the neighborhood of Nachlaot. “Suddenly, it was 28 years earlier,” he said, recalling another march in 1983 with Peace Now that traveled the same route. During that march, people hurled objects at the marches from the balconies. On the recent march, there was no violence. “Circumstances will force people to change.”
“All the alternatives (to peace) are awful,” concluded Gorenberg, who earlier in the evening said that the words “one state solution” do not go together, “but Israelis don’t have to buy into the Palestinian narrative and vice versa to have a peace agreement.”
In what seems like a development only possible on the satirical pages of the Onion, Mel Gibson’s Icon Productions has just unveiled plans to co-finance a new film about Judah Maccabee, with Joe Eszterhaus of Showgirls fame onboard as screenwriter. This is too good to be true. I mean, who better than Mel Gibson, the man who boldly asserted that Jews are responsible for all wars in the world, to capture the quintessential epic military struggle of Jewish national religious pride versus the lures of assimilation?
Well, time will only tell what choices Gibson will make, but if he sticks to my above plan, we’re going to have something even greater than The Passion of the Christ (2004). Or, as Reb Yudel puts it, “If Gibson’s Hanukkah film succeeds, can his Tisha b’Av blockbuster be far behind?”
Incidentally, I vividly recall dragging a date to a Sunday matinee screening of his last Jew epic in 2004. We paid for two tickets to see Dirty Dancing: Havana Nightsin the hopes that our tickets wouldn’t profit Gibson’s film, but later, a friend in the industry explained to me that films only benefit from concession stand money, not from actual ticket sales. Alas. The film itself wasn’t particularly noteworthy, aside from its curious subtitling choices. While Gibson promised to cut out any direct implication of the Jews in Jesus’ crucifixion, the English subtitling did not always match the Aramaic dialogue onscreen. (I attended a high school which forced us to learn Aramaic. Now on facebook, I smugly resent that under the languages option, there is an “Aramaic of Jesus” and not also an ‘Aramaic of Rabban Gamliel.”) We, along with busloads of young Christian children, some of whom were as young as four years old, proceeded to watch what amounted to two full hours of Jesus being beaten to a bloody pulp. ::Spoiler alert:: Jesus is killed.
According to press reports, Dick Cheney’s memoir, set to be released this week, is one long exercise is not regretting any decision he made while serving as Vice-President of the United States. This is a shame. The first step in teshuvah, repentance, is recognizing the wrongs that one has committed. Cheney, rather, articulates his continued support for interrogation tactics, including waterboarding, extremes of heat and cold, sleep deprivation, long-term isolation, sensory deprivation and stress positions. It’s clear he will continue to defend his authorization of such torture and has no remorse for the criminal acts of torture he authorized. Cheney could have helped in the effort to repair the harms caused by torturing prisoners by expressing some regret for his actions. He has not.
The rest of the piece is here. After you read it, come back and comment.