Sabra Returns to Marvel Comics
If you don’t know about my obsession with Sabra, the Jewish superhero, then just Google around — I’m kind of a sucker for her. I mean, typical Israeli hotheadedness + super powers + guest appearances in “The Incredible Hulk” and “Uncanny X-Men”…well, it kind of equals my dream girl, if you set aside the facts that (a) she’s fictional and (b) I’m married.
Sabra’s official title is the “Defender of Israel,” which sounds like just about the cheesiest thing ever. She wears a blue-and-white uniform, sometimes with a long cape pinned together with a Star of David, of course, and half of the stuff the writers put into her mouth is gag-worthy, and half is totally, spot-on Israeli. When she’s written well, she is arrogant, good-humored, stubborn, compassionate…that mix of delicate qualities that are the quintessence of Israeli culture.
When I was on tour in Manhattan, I even wrote a poem as a pitch for an editor at Marvel Comics, imagining Sabra — who’s always been the ultimate secular Israeli — starting to dabble in being religious. Then I totally scrapped it and wrote a real pitch, which involved the Israeli-Palestinian conflict, the religious-secular divide, some really deep character work and some stuff about getting over traumas that “Waltz with Bashir” totally plagiarized, even if they didn’t actually see my treatment.
In the past few years, she started making guest appearances, some wonderfully understated (in the background, portrayed with Yemenite features at Darkstar’s funeral in New X-Men) and some just cool cameos (like defending Israel from the Skrulls in Secret Invasion). Last week, Marvel released a Web one-shot short story featuring Sabra — and, while it’s cool to see our favorite (and, uh, second- and third-favorite) Israeli superhero in the limelight, it wasn’t exactly the most promising of beginnings.
The story opens on Sabra at a picnic with her mother. She meets a girl, Yael, whose father fought alongside Sabra’s father in the Israeli Air Force. Sabra relates her own story of being caught by HYDRA, a Marvel-universe terrorist group, and of her father dying while saving her. It wraps up nicely with the girl confessing her fears — “I don’t know what it’s like to fly,” she confesses — and Sabra swooping her up and taking her for a little flight above the Jerusalem scenery.
It’s a nice little sentimental story. No big whoop, no deeper meaning, and even (bonus!) an explosion. On a storytelling level, I have my complaints — the story wastes far too much time at this stupid party, which has nothing to do with the story Sabra’s telling. And, if we’re supposed to care about Sabra’s father saving her and dying in the act, we should at least see what the man looks like. It also feels a little bit like the writer, Matt Yocum, got most of his information about Israel from a quick Google search. Sabra herself has as much personality as a tube of toothpaste, and the 17-year-old girl’s wide-eyed oh-you’re-so-cool-ness — while it’s also uncharacteristic of Israelis (or, for that matter, anyone) — just doesn’t seem real, or give the reader any reason to care. When Spider-Man is awed to be in a room with Captain America and Daredevil, you can tell it’s because, under his mask, he’s a teenage fanboy.
In the Marvel canon, Ruth Bat-Seraph is a national hero. Sometimes, she’s revered; sometimes, she’s mind-controlled by evil bastards and the public hates her. But she’s never been a sucker. Perhaps the worst part are the token Jewish lines — “I never felt more like David…against HYDRA’s Goliath” — which seem like they were made to be used in Hebrew Schools. And the ending, in which Sabra tells the girl, “This is what our dads lived for. This is what they died for. You’ll make the right decision…” is cringe-worthy — not because it isn’t an inspiring thought, not because it’s not what they believe in, but because, in the entire story, we haven’t heard anything about what “this” is, or what it means to either Sabra or her young fan. If Sabra loves Israel, show us Israel. Don’t give us ten pages, not of Israel, not of a cool fight scene, but of talking about abstract ideas at a party.
Please, Marvel — give us more Sabra. But not like this.
Crossposted on Mixed Multitudes